Stella’s Birthday

Portrait of a Lady, Followers of Caspar Netscher

Today’s poem is “Stella’s Birthday” by Jonathan Swift, written either in 1720 or 1721. This is the version from The Penguin Book of Irish Verse. (It seems that Swift wrote several poems commemorating the young lady’s birthday.)

Stella’s Birthday

All travellers at first incline
Where’er they see the fairest sign
And if they find the chambers neat,
And like the liquor and the meat,
Will call again, and recommend
The Angel Inn to every friend.
And though the painting grows decay’d,
The house will never lose its trade:
Nay, though the treach’rous tapster, Thomas,
Hangs a new Angel two doors from us,
As fine as daubers’ hands can make it,
In hopes that strangers may mistake it,
We think it both a shame and sin
To quit the true old Angel Inn.

Now this is Stella’s case in fact,
An angel’s face a little crack’d.
(Could poets or could painters fix
How angels look at thirty-six:)
This drew us in at first to find
In such a form an angel’s mind;
And every virtue now supplies
The fainting rays of Stella’s eyes.
See, at her levee crowding swains,
Whom Stella freely entertains
With breeding, humour, wit, and sense,
And puts them to so small expense;
Their minds so plentifully fills,
And makes such reasonable bills,
So little gets for what she gives,
We really wonder how she lives!
And had her stock been less, no doubt
She must have long ago run out.

Then, who can think we’ll quit the place,
When Doll hangs out a newer face?
Nail’d to her window full in sight
All Christian people to invite.
Or stop and light at Chloe’s head,
With scraps and leavings to be fed?

Then, Chloe, still go on to prate
Of thirty-six and thirty-eight;
Pursue your trade of scandal-picking,
Your hints that Stella is no chicken;
Your innuendoes, when you tell us,
That Stella loves to talk with fellows:
But let me warn you to believe
A truth, for which your soul should grieve;
That should you live to see the day,
When Stella’s locks must all be gray,
When age must print a furrow’d trace
On every feature of her face;
Though you, and all your senseless tribe,
Could Art, or Time, or Nature bribe,
To make you look like Beauty’s Queen,
And hold for ever at fifteen;
No bloom of youth can ever blind
The cracks and wrinkles of your mind:
All men of sense will pass your door,
And crowd to Stella’s at four-score.

The Road Not Taken

When you get to a certain age, you may well decide (like me) to pick and choose from new technologies, new music, and new trends. For instance, I do not own a Smart Phone and especially distrust the notion of using one for economic transactions. I didn’t work at an accounting office for more than twenty years without closely reconciling accounts so that I had a good idea of what I was spending.

As far as new music is concerned, I consider rap to be little better than noise. In fact, the same goes for much current pop music. I like current jazz and even current classical and folk music.

But what I particularly want to talk about are touch screens. There’s something about the imprecision of selecting options that drives me up the wall. That particularly goes for small screens. You hit an option, and it as often as not doesn’t take at first, requiring multiple attempts. Even on my Amazon Kindle, various screens pop up that I did not select.

Perhaps the very worst touch screen activity is using a touch screen keyboard, especially where there is not enough space between characters on the keyboard.

No Way, José!

Fortunately, larger touch screen displays are not quite so objectionable. For instance, the screens one must fill out for an airline boarding pass or upon returning from a foreign country are okay.

I think that, past a certain age, one gets to the point that newer technologies are trickier to manipulate. Younger people who live all day with their small screens develop the proper tiny sharp finger data entry skills. As for myself, I’ll stick to my caveman existence.

“Samurai Song”

Samurai Warrior with Sword Drawn

I love this poem by Robert Pinsky, formerly Poet Laureate of the United States. It reminds me of my own situation, in which I must deal with the waning years of my life with the spirit of a warrior. The poem is called “Samurai Song.” I first discovered it in The New Yorker. Several years ago, I met Mr. Pinsky at a book festival and told him how much this poem meant to me.

Samurai Song

When I had no roof I made
Audacity my roof. When I had
No supper my eyes dined.

When I had no eyes I listened.
When I had no ears I thought.
When I had no thought I waited.

When I had no father I made
Care my father. When I had no
Mother I embraced order.

When I had no friend I made
Quiet my friend. When I had no
Enemy I opposed my body.

When I had no temple I made
My voice my temple. I have
No priest, my tongue is my choir.

When I have no means fortune
Is my means. When I have
Nothing, death will be my fortune.

Need is my tactic, detachment
Is my strategy. When I had
No lover I courted my sleep.

 

 

Do Not Pity Me

You must not pity me because my sixtieth year finds me still astonished. To be astonished is one of the surest ways of not growing old too quickly.—Colette