The Scruffy and the Soshes

Me at the Living Desert in the Coachella Valley 2022

There are two types of guys in this world (now where have you heard that before?)—the scruffy and the soshes (pronounced sōsh-es). I am clearly among the scruffy, though you will not find me wearing T-shirts, shorts, or flip-flops in public. Also: No tattoos. I guess that makes me a middling scruffy guy.

I have never been a fashion plate. In fact, I have looked down on guys that were. To me, they were soshes: People who were self-conscious about their appearance and, at the same time looked down on people like me, who just didn’t care.

As a retired senior on a fixed income, I have a clothes budget that approaches zero. Some of my shirts and pants are older than many of my acquaintances.

If I had the money, I would probably wear pants that would fit me better, what with my short legs and pot belly, but I would still avoid anything that would smack of GQ or Country Club. At this point in my life, who am I trying to impress? Do I have any possible future as a chick magnet at age 79? Would I even want to? These are important questions as I age.

Fortunately, I feel comfortable in my own skin, even if that skin at times resembles the lunar surface.

From My Piblokto Madness Bed

William Gibson on Our Military-Influenced Fashions

There are few novelists currently working whom I like as much as William Gibson. His science fiction doesn’t go that far into the future, yet he constantly introduces concepts, which he doesn’t explain, and yet which fascinate me. One such is the Piblokto Madness bed in which her character Hollis Henry from Zero History sleeps at a posh London hotel. Looking up Piblokto on Wikipedia, I found this definition: “A culture-bound syndrome observed primarily in female Inuit and other arctic populations. Individuals experience a sudden dissociative period of extreme excitement in which they often tear off clothes, run naked through the snow, scream, throw things, and perform other wild behaviors.” Huh?

On another topic, Gibson is spot on, namely the civilian fashion of adopting military styles in one’s apparel:

“Sleight had arranged for us to have a look at a garment prototype. We’d picked up interesting industry buzz about it, though when we got the photos and tracings, really, we couldn’t see why. Our best analyst thinks it’s not a tactical design. Something for mall ninjas.”

“For what?”

“The new Mitty demographic.”

“I’m lost,”

“Young men who dress to feel they they’ll be mistaken for having special capability. A species of cosplay, really. Endemic. Lots of boys are playing soldier now. The men who run the world aren’t, and neither are the boys most effectively bent on running it next. Or the ones who’re actually having to be soldiers, of course. But many of the rest have gone gear-queer, to one extent or another.”

“Gear-queer?”

Bigend’s teeth showed. “We had a team of cultural anthropologists interview American soldiers returning from Iraq. That’s where we first heard it. It’s not wholly derogatory, mind you. There are actual professionals who require these things—some of them, anyway. Though they generally seem to be far less fascinated with them. But it’s that fascination that interests us, of course.”

“It is?”

“It’s an obsession with the idea not just of the right stuff, but of the special stuff. Equipment fetishism. The costume and semiotics of achingly elite police and military units. Intense desire to possess same, of course, and in turn to be associated with that world. With its competence, its cocksure exclusivity.”

Ghost Duds

If They’re Spirits, Why Do Ghosts Wear Clothes?

If They’re Spirits, Why Do Ghosts Wear Clothes? (If Not Shoes)

I don’t often do this, but the subject whetted my appetite. The following comes verbatim from a November 24, 2013 posting on Futility Closet. Do visitors from the spirit realms have an innate sense of modesty? Do they not want to arouse our lubricity or disgust? Or do they not want to leave their clothing in—of all places—the Futility Closet? Come to think of it, the one ghost I saw—that of my Great Grandmother Lydia—was fully clothed in her normal everyday wear. Anyhow here goes:

Why do ghosts wear clothes? If a ghost is the spirit of a living creature, how can it carry its inanimate garments into the afterlife?

“How do you account for the ghosts’ clothes — are they ghosts, too?” asked the Saturday Review in 1856. “What an idea, indeed! All the socks that never came home from the wash, all the boots and shoes which we left behind us worn out at watering-places, all the old hats which we gave to crossing-sweepers … What a notion of heaven — an illimitable old clothes-shop, peopled by bores, and not a little infested with knaves!”

In 1906 psychic researcher Andrew Lang argued that, far from confusing the notion of an afterlife, ghosts’ clothing might even help to corroborate its existence. “A pretty instance occurs, I think, in a biography of Warren Hastings. The anecdote, as I remember it, avers that at a meeting of the Council of the East India Company in Calcutta one of the members (I think several shared the experience) saw his own father, wearing a hat of a peculiar shape, hitherto strange to the observers. In due time came a ship from London bearing news of the father’s death, and a large and well-selected assortment of the new hat fashionable in England. It was the hat worn by the paternal appearance! If the circumstances are recorded in the minutes of the proceedings of the Council, which I have not consulted, then the hat of that spook becomes important as evidence.”

Even if we grant that a dead person can convey his most personal belongings into the afterlife, how are we to account for phantom ships, coaches, and railway trains? In his 1879 book The Spirit World, American spiritualist Eugene Crowell decided that, rather than being the spirits of “dead” earthly conveyances, these are constructed in the afterlife by the ghosts of mariners and railwaymen who want to ply their trades again. Spectral ships “glide over the waves without sinking,” Crowell explained, “and earthly winds propel them at rates of speed which our ships cannot attain.” If that’s true, then perhaps some ghostly tailor is simply manufacturing clothes for the naked spirits of the newly dead. Decent of him.