Home » Posts tagged 'dave-fleischer'

Tag Archives: dave-fleischer

Betty Boop Meets Cab Calloway

Posted on by

Cab Calloway and Cartoon Representations

As I hinted in yesterday’s post, I am not done with posting about the cartoons of Max and Dave Fleischer. Among my favorites were the Betty Boop cartoons with music (and dancing) supplied by Cab Calloway and His Orchestra. In 1832 and 1933, Calloway worked with the Fleischers and three or four Betty Boop cartoons.

These included:

Minnie the Moocher (1932)

Snow-White (1933)

The Old Man of the Mountains (1933)

The reason I say there were three or four cartoons partnering Cab Calloway with Betty Boop was that there is a separately titled segment of Snow-White entitled St James Infirmary Blues.

None of these films could be regarded as suitable for children. (That also goes for Poor Cinderella, about which I posted yesterday, and in which Betty is in the street wearing nothing but bra and panties). In both Snow-White and St James Infirmary Blues, we see Betty in a glass coffin whose pallbearers are the seven dwarves, followed by the evil queen and Ko-Ko and Bimbo.

Even worse is The Old Man of the Mountain, whose villain is a bearded dirty old ogre who chases Betty Boop down the mountain with lascivious intent, at one point ripping off her dress.

On the Public Broadcasting System (PBS) website, there is an interesting article entitled “When Cab Calloway Was Betty Boop’s Co-Star.”

Poor Cinderella

Posted on by

Today we can see all the Walt Disney cartoons (except maybe Song of the South) most any time we want. The same goes for the Warner Brothers classics with Bugs Bunny, Daffy, Porky Pig, Tweety and Sylvester, and Wile E, Coyote. Even Walter Lantz (Woody Woodpecker) and Hanna-Barbera are all around us.

But the cartoons I most love to see were produced by the Fleischer brothers, Max and Dave. They were best known for their Popeye cartoons , but their work included an animated Superman, Betty Boop, Ko-Ko the Clown, and a whole host of other creations. Unlike Disney cartoons, those by the Fleischers included mostly human characters.

One of my favorites is a Betty Boop cartoon called Poor Cinderella (1934)—her only appearance in color. The cartoon was based on a hypnotic song of the same name that recurs through the cartoon. At one point, an animated Rudy Vallee is shown singing it.

Here, for your enjoyment, is the cartoon itself:

In the coming weeks, I will provide links to other Fleischer Brothers products. I have always loved them and delight in sharing them with you.

The Old Man of the Mountain

Posted on by

Max and Dave Fleischer Were the Opposite of Disney

Walt Disney was good at what he tried to do, but he was not really for adults. At the same time that Disney was animating his Mickey Mouse cartoons, Max and Dave Fleischer presented a much more adult vision of life in their Betty Boop cartoons. These were done before the Hays Office descended on Hollywood with their black pall of censorship. Yesterday, I watched their “The Old Man of the Mountain” on YouTube. It is about a luscious young thing who goes up against the Old Man of the Mountain (sung by Cab Calloway and His Orchestra) and starts getting chased by him. At one point, he rips off her dress, though all we see of Betty is the lower edge of her frilly panties as she hides behind a tree. (Holy Miscegenation!)

Watch the cartoon for yourself:

In another Boop mcartoon, Betty attempts to perform a tooth extraction on Koko the Clown. By accident, she winds up infecting the whole town with Laughing Gas. The cartoon, entitled “Ha! Ha! Ha!” was banned in Britain because of its casualness about drugs. In another cartoon, “Betty Boop’s Big Boss,” Betty appears to endorse the mauling of secretaries as sexual provender by big fat bosses. You can see these cartoons for free any time by Googling their titles, as in “YouTube Ha! Ha! Ha! Betty Boop.”

I actually like Walt Disney’s work, but I think Betty Boop is pretty hot stuff. At one point in “The Old Man of the Mountain,” a cripple on crutches espies Betty’s curvaceous legs, gives them a thorough viewing, and then leaves without his crutches, which go off by themselves.