He’s from the same part of the world from which I hail. Painesville, the county seat of Lake County, is some 30 miles northeast of Cleveland. He has been called a science fiction writer, a designation which he (rightfully) hates. It’s more speculative fiction, with an emphasis on the short story form.
The man from Painesville was known for being something of a pain. His obituary in the Los Angeles Times remarks:
Over the years, Ellison has been described as fiercely independent, vengeful, sardonic, opinionated, confrontational, foul-mouthed, petulant, infuriating, defiant and a general all-around nuisance—as well as engaging, gregarious, funny, fastidiously organized and generous to his friends.
By his own measure, he was “a hard pill to swallow.”
He is gone, with all his objectionable behavior, but his stories remain. And they are well worth reading. I suggest you try one of the following collections:
I have No Mouth and I Must Scream (1967)
The Beast That Shouted Love at the Heart of the World (1969)
Approaching Oblivion (1974)
Deathbird Stories (1975)
Shatterday (1980)
You might also want to try reading the sci-fi story collection he edited in 1967 entitled Dangerous Visions.
Although he will be remembered as much for being a prickly character as a brilliant writer, I think that over time the latter will replace the former in the estimation of readers.
For over a decade, I have tackled one or two works of horror literature during the month of October. In the past, most of these were collections of horror stories in the excellent collections put out by Dover Publications, but I am coming to the end of these; so I am branching out a bit.
This month, I have read two collections: Amelia B. Edwards¹s The Phantom Coach and Other Stories and Thomas Ligotti’s Noctuary. Ms Edwards (1831-1892) was not only an excellent teller of tales, but also a world traveler, journalist, and—to add a touch of the weird—an early Egyptologist of some note. I have downloaded her book A Thousand Miles Up the Nile from Amazon Kindle to read sometime next year.
Thomas Ligotti, on the other hand, is a contemporary, born in 1953. I had previously read two of his collections—Songs of a Dead Dreamer and Grimscribe: His Lives and Works—and found them satisfyingly eldritch in every way. The same could be said of Noctuary, which I loved. In fact yesterday’s post on this blog site was a short short story entitled “One May Be Dreaming” from Noctuary in its entirety. Click on the link to check it out.
I have always been fond of reading collections of short stories by my favorite authors. For some writers such as Jorge Luis Borges, Anton Chekhov, and Edgar Allan Poe, that’s pretty much all there is. But for great novelists like Henry James, Mark Twain, Joseph Conrad, and William Faulkner the stories serve to fill out their work with an extra dimension of conciseness and sharpness.
Paul Theroux is for me a special case. I have been reading (and re-reading) his travel books for half a century, but it is only recently that I have turned to his fiction: both novels and stories. The following is a complete short short story from his collection Mr Bones: Twenty Stories. It is part of a microcollection of short short stories called “Long Story Short.”
A Real Break
Mother and Grace—let’s just say they weren’t best buddies. So as the elder daughter, and single, I began to look after Mother when she began to fail. And she was a wreck. Got confused in stores, left the oven on, real muddled about time. I made her stop driving, so of course I had to take the wheel. God, the hills. I wrote Grace that I was moving in with Mother. The big Polk Street house had been in Mother’s family for years; Mother was lost in it. Grace understood completely and said she was relieved. She had been in a Minnesota convent since taking her vows, though she sometimes spent extended periods in Nevada and Florida as a hospital worker, “and doing spiritual triage too,” on Indian reservations. We seldom heard from her, but Mother sent her money now and then. Because of the strictness of her religious order, she was never able to visit us in San Francisco. “And just as well,” Mother said.
It got so that Mother could only manage with my assistance. I resigned from my secretarial job, lost my retirement and my medical plan, and became Mother’s full-time caregiver. I updated Grace on Mother’s condition and mentioned the various challenges we faced. Grace wrote saying that she was praying for us, and she asked specific questions because these infirmities were to be specified in the prayers, or intercessions, as she called them.
About three years into my caregiving, Grace called. She said, “Why not take a few months off? My superior has given me special dispensation to look after Mom for a while. It’ll be a break for me. And you can have a real break. Maybe go to Europe.”
Mother wasn’t overjoyed, but she could see that I was exhausted. Grace flew in. It was an emotional reunion. I hardly recognized her—not because she had gotten older, though she had. But she was dressed so well and in such good health. She even mentioned how I looked stressed and could obviously do with some time off.
I went on one of those special British Airways fares, a See Scotland package. It was just the break I needed, or so I thought.
Long story short, when I got back to San Francisco, the Polk Street house was being repainted by people who said they were the new owners. Everything I possessed was gone. Mother was in a charity hospice. She had been left late one night at the emergency room of St Francis Hospital. There was no money in Mother’s bank account. Everything she had owned had been sold. I saw Mother’s lawyer. He found a number for Grace—the 702 area code, a cell phone. Nevada.
“I’m glad you called,” Grace said. I could hear music in the background and a man talking excitedly, a fishbowl babble, aqueous party voices. I started to cry but she interrupted me with a real hard voice. “Everything I did was legal. Mother gave me power of attorney. I never want to see you again. And you will never undo it.” Unfortunately for me, that was true.
Although I still read more novels by far, I have found myself increasingly drawn to the medium of the short story. This evening, I decided to take a quick look at my reading long during the past twelve years. As the period progressed, I noticed myself reading more and more short story collections.
I was surprised to find that there were relatively few women writers whom I thought had mastered the genre. In fact, the only ones who impressed me were Virginia Woolf (no surprise there!), the Argentinian Silvina Ocampo, and—closer to home—Joyce Carol Oates and Shirley Jackson. Why this is I do not know. It could be that they are out there, but to date I am not familiar with their work.
Another surprise was that the United States was well represented, what with writers like Faulkner, Hemingway, Fitzgerald, Poe, Hawthorne, Melville, Stephen Crane, Henry James, J. D. Salinger, Barry Gifford, Philip K. Dick, and Ray Bradbury.
Latin America has some outstanding representatives. Topping the list are Argentina’s Jorge Luis Borges and Mexico’s Juan Rulfo. Not far behind are Roberto Bolaño and Francisco Coloane from Chile, Gabriel García Márquez from Colombia, Adolfo Bioy Casares and Silvina Ocampo (who were married to each other) from Argentina.
Britain gave us Somerset Maugham, George Mackay Brown, G. K. Chesterton, and Graham Greene. In France, there was Guy de Maupassant. From Central Europe there was Franz Kafka and Bohumil Hrabal (Czechoslovakia) and Bruno Schulz (Poland).
The greatest Russian short story writer was Anton Chekhov, but there was also Leo Tolstoy, Varlam Shalamov, and Andrei Platanov.
I have just finished Barry Gifford’s The Cuban Club: Stories, and I find several other story collections in my TBR (To Be Read) pile. I guess I’m hooked.
Think of this as my Halloween contribution. For the last several years, I have celebrated Halloween not by Trick-or-Treating, not by gorging myself with candy, but by reading collections of horror stories, mostly those published by Dover Publications. I find that the best works of horror fiction are usually not the longest (sorry, Stephen King), but either short stories or novellas.
Here is a list of ten of my favorites, in order of publication:
Edgar Allan Poe, “The Masque of the red Death” (1842)
J S Le Fanu, “Carmilla” (1871)
Robert Louis Stevenson, “The Body Snatcher” (1884)
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