“Worse Than Worthless”?

Tattooed Boy

Tattooed Boy

I tried to point out some of the cultural meanings of the vogue for tattooing. First, it was aesthetically worse than worthless. Tattoos were always kitsch, implying not only the absence of taste but the presence of dishonest emotion.

Second, the vogue represented a desperate (and rather sad) attempt on a mass scale to achieve individuality and character by means of mere adornment, which implied both intellectual vacuity and unhealthy self-absorption.

And third, it represented mass downward cultural and social aspiration, since everyone understood that tattooing had a traditional association with low social class and, above all, with aggression and criminality. It was, in effect, a visible symbol of the greatest, though totally ersatz, virtue of our time: an inclusive unwillingness to make judgments of morality or value.—Theodore Dalrymple

“A Frail Jetty Facing North”

Oedipus and Antigone

Oedipus and Antigone

What is unwisdom but the lusting after
Longevity: to be old and full of days!
For the vast and unremitting tide of years
Casts up to view more sorrowful things than joyful;
And as for pleasures, once beyond our prime,
They all drift out of reach, they are washed away.
And the same gaunt bailiff calls upon us all,
Summoning into Darkness, to those wards
Where is no music, dance, or marriage hymn
That soothes or gladdens. To the tenements of Death.

Not to be born is, past all yearning, best.
And second best is, having seen the light,
To return at once to deep oblivion.
When youth has gone, and the baseless dreams of youth,
What misery does not then jostle man’s elbow,
Join him as a companion, share his bread?
Betrayal, envy, calumny and bloodshed
Move in on him, and finally Old Age—
Infirm, despised Old Age—joins in his ruin,
The crowning taunt of his indignities.

So is it with that man, not just with me.
He seems like a frail jetty facing North
Whose pilings the waves batter from all quarters;
From where the sun comes up, from where it sets,
From freezing boreal regions, from below,
A whole winter of miseries now assails him,
Thrashes his sides and breaks over his head.—Sophocles, Oedipus at Colonus (Trans. Anthony Hecht)

Frenchness

French Girl

French Girl

Now, “Frenchness” may seem to be an intolerably vague idea, and it smells of related notions like Volksgeist that have acquired a bad odor since ethnography became polluted with racism in the 1930s. Nonetheless, an idea may be valid even if it is vague and has been abused in the past. Frenchness exists….[I]t is a distinct cultural style; and it conveys a particular view of the world—a sense that life is hard, that you had better not have any illusions about selflessness in your fellow men, that clear-headedness and quick wit are necessary to protect what little you can extract from your surroundings, and that moral nicety will get you nowhere. Frenchness makes for ironic detachment. It tends to be negative and disabused. Unlike its Anglo-Saxon opposite, the Protestant ethic, it offers no formula for conquering the world. It is a defense strategy, well suited to an oppressed peasantry or an occupied country.—Robert Darnton, The Great Cat Massacre and Other Episodes in French Cultural History

“Power Without Wisdom Collapses Beneath Its Own Weight”

Jan Amos Komensky

Jan Amos Komensky

Almost three hundred and fifty years ago, one of the greatest minds of the Renaissance and the founder of modern pedagogy, Jan Amos Komensky (Comenius) wrote in a letter to the Prefects of the Dutch Navy:

“Your homeland has entrusted you with its bounty, that you protect it against all foreign foes, but you must not be ignorant of the art of defending it from foes within, to wit, the obscuring of the mind, loosening of morals and desecration of life. And not only protect it for the present time but also to take wise care how in the future the generations that will rise after you, your sons, may successfully protect the happy state you have prepared for them and then pass it on to their offspring until the end of time. It is therefore necessary that you bequeath to them not only the strength and determination to maintain it themselves but also wise counsel, otherwise power without wisdom collapses beneath its own weight.”

How is wise counsel being passed on within the family, the school, the mass media or the other institutions concerned with it in some way?—Ivan Klíma, Between Security and Insecurity

Merricat Introduces Herself

The Opening Lines of the Book

The Opening Lines of the Book

My name is Mary Katherine Blackwood. I am 18 years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in my family is dead.—Shirley Jackson, We Have Always Lived in the Castle

Umm, Texas …

Rep Blake Farenthold (R-TX)

Rep Blake Farenthold (R-TX)

It is a well established fact that America only tolerates Texas because it has oil and Austin and probably something else of value that I can’t think of off the top of my head. Let’s see …. nope … I got nothin’. But there are times when Texas gets on our last nerve (to be fair, that is usually reserved for Florida) and we just shake our heads and start to wonder if maybe Mexico would be willing to take Texas back if we can find the receipt in a drawer somewhere , and even if we  have to pay a 15% restocking fee.

I know I’d chip in.

Which brings us to  Texas’s own Blake Farenthold (R-Golden Corral), who barely squeaked into office in his first go-around, but then his district was redrawn (moar whitez, less brownz) and now he will hold his seat until the End Times, who is here to explain that America’s disabled vets need to suck it up and take one for the team and that they should rub some dirt on it and put whatever skin they didn’t leave behind on the battlefield into the game when it comes to “sacrifice”.—TBogg

Unmoved by Crowds

Not for Me

Not for Me

I belong to that class of unhappy people who are not easily affected by crowd excitement. Too often I find myself sadly unmoved in the midst of multitudinous emotion. Few sensations are more disagreeable. The defect is in part temperamental, and in part due to that intellectual snobbishness, that fastidious rejection of what is easy and obvious, which is one of the melancholy consequences of the acquisition of culture. How often one regrets this asceticism of the mind! How wistfully one longs to rid oneself of the habit of rejection and selection, and to enjoy all the dear, obviously luscious, idiotic emotions without an after-thought. And indeed, however much we may admire the Chromatic Fantasia of Bach, we all of us have a soft spot somewhere in our minds that is sensitive to “Roses in Picardy.” But the soft spot is surrounded by hard spots, the enjoyment is never unmixed with critical disapprobation. The excuses for working up a communal emotion, even communal emotion itself, are rejected as too gross. We turn from them as a cenobite of the Thebaid would have turned from dancing girls or a steaming dish of tripe and onions.—Aldous Huxley, Complete Essays, Vol. I.

Sir Walter Scott, Bookworm

Sir Walter Scott

Sir Walter Scott

He at this time occupied as his den a square small room, behind the dining parlour in Castle Street. It had but a single Venetian window, opening on a patch of turf not much larger than itself, and the aspect of the place was on the whole sombrous. The walls were entirely clothed with books; most of them folios and quartos, and all in that complete state of repair which at a glance reveals a tinge of bibliomania. A dozen volumes or so, needful for immediate purposes of reference, were placed close by him on a small moveable frame—something like a dumb-waiter. All the rest were in their proper niches, and wherever a volume had been lent, its room was occupied by a wooden block of the same size, having a card with the name of the borrower and date of the loan, tacked on its front. The old bindings had obviously been retouched and regilt in the most approved manner; the new, when the books were of any mark, were rich but never gaudy—a large proportion of blue morocco—all stamped with his device of the portcullis, and its motto, clausus tutus ero—being an anagram of his name in Latin. Every case and shelf was accurately lettered, and the works arranged systematically; history and biography on one side—poetry and the drama on another—law books and dictionaries behind his own chair. The only table was a massive piece of furniture which he had had constructed on the model of one at Rokeby; with a desk and all its appurtenances on either side, that an amanuensis might work opposite to him when he chose; and with small tiers of drawers, reaching all round to the floor. The top displayed a goodly array of session papers, and on the desk below were, besides the MS. at which he was working, sundry parcels of letters, proof-sheets, and so forth, all neatly done up with red tape. His own writing apparatus was a very handsome old box, richly carved, lined with crimson velvet, and containing ink-bottles, taper-stand, &c. in silver—the whole in such order that it might have come from the silversmith’s window half an hour before. Besides his own huge elbow chair, there were but two others in the room, and one of these seemed, from its position, to be reserved exclusively for the amanuensis. I observed, during the first evening I spent with him in this sanctum, that while he talked, his hands were hardly ever idle—sometimes he folded letter-covers—sometimes he twisted paper into matches, performing both tasks with great mechanical expertness and nicety; and when there was no loose paper fit to be so dealt with, he snapped his fingers, and the noble Maida aroused himself from his lair on the hearth-rug, and laid his head across his master’s knees, to be caressed and fondled. The room had no space for pictures except one, an original portrait of Claverhouse, which hung over the chimneypiece, with a Highland target on either side, and broadswords and dirks (each having its own story), disposed star-fashion round them. A few green tin-boxes, such as solicitors keep title-deeds in, were piled over each other on one side of the window; and on the top of these lay a fox’s tail, mounted on an antique silver handle, wherewith, as often as he had occasion to take down a book, he gently brushed the dust off the upper leaves before opening it. I think I have mentioned all the furniture of the room except a sort of ladder, low, broad, well carpeted, and strongly guarded with oaken rails, by which he helped himself to books from his higher shelves. On the top step of this convenience, Hinse of Hinsfeldt—(so called from one of the German Kinder-märchen )—a venerable tom-cat, fat and sleek, and no longer very locomotive, usually lay watching the proceedings of his master and Maida with an air of dignified equanimity; but when Maida chose to leave the party, he signified his inclinations by thumping the door with his huge paw, as violently as ever a fashionable footman handled a knocker in Grosvenor Square; the Sheriff rose and opened it for him with courteous alacrity,—and then Hinse came down purring from his perch, and mounted guard by the footstool, vice Maida absent upon furlough. Whatever discourse might be passing, was broken every now and then by some affectionate apostrophe to these fourfooted friends. He said they understood every thing he said to them, and I believe they did understand a great deal of it. But at all events, dogs and cats, like children, have some infallible tract for discovering at once who is, and who is not, really fond of their company; and I venture to say, Scott was never five minutes in any room before the little pets of the family, whether dumb or lisping, had found out his kindness for all their generation.—John G. Lockhart, Memoirs of the Life of Sir Walter Scott, Bart., Vol V

To Each According to His Needs

Llama

Llama

A similar arrangement prevailed with respect to the different manufactures as to the agricultural products of the country. The flocks of llamas, or Peruvian sheep, were appropriated exclusively to the Sun and to the Inca. Their number was immense. They were scattered over the different provinces, chiefly in the colder regions of the country, where they were intrusted to the care of experienced shepherds, who conducted them to different pastures according to the change of season. A large number was every year sent to the capital for the consumption of the Court, and for the religious festivals and sacrifices. But these were only the males, as no female was allowed to be killed. The regulations for the care and breeding of these flocks were prescribed with the greatest minuteness, and with a sagacity which excited the admiration of the Spaniards, who were familiar with the management of the great migratory flocks of merinos in their own country.

At the appointed season, they were all sheared, and the wool was deposited in the public magazines. It was then dealt out to each family in such quantities as sufficed for its wants, and was consigned to the female part of the household, who were well instructed in the business of spinning and weaving. When this labor was accomplished, and the family was provided with a coarse but warm covering, suited to the cold climate of the mountains,—for, in the lower country, cotton, furnished in like manner by the Crown, took the place, to a certain extent, of wool,— the people were required to labor for the Inca. The quantity of the cloth needed, as well as the peculiar kind and quality of the fabric, was first determined at Cuzco. The work was then apportioned among the different provinces. Officers, appointed for the purpose, superintended the distribution of the wool, so that the manufacture of the different articles should be intrusted to the most competent hands. They did not leave the matter here, but entered the dwellings, from time to time, and saw that the work was faithfully executed. This domestic inquisition was not confined to the labors for the Inca. It included, also, those for the several families; and care was taken that each household should employ the materials furnished for its own use in the manner that was intended, so that no one should be unprovided with necessary apparel. In this domestic labor all the female part of the establishment was expected to join. Occupation was found for all, from the child five years old to the aged matron not too infirm to hold a distaff. No one, at least none but the decrepit and the sick, was allowed to eat the bread of idleness in Peru. Idleness was a crime in the eye of the law, and, as such, severely punished; while industry was publicly commended and stimulated by rewards.—William H. Prescott, History of the Conquest of Peru

 

The Nature of the Soul

Cicero

Cicero

It’s impossible to locate an earthly origin of souls. There’s nothing mixed or compounded in souls, they’re not earth or made of earth. They’re not even moist or airy or fiery. There’s nothing in these elements that accounts for the power of memory, mind or thought, that recalls the past, foresees the future or comprehends the present. These faculties are divine; you won’t find a way for them to get to man except from god. The natural power of the soul is therefore unique, distinct from the usual and familiar elements. Whatever it is that thinks, knows, lives and grows must be heavenly, divine, and therefore eternal. And god, who is recognized by us, can only be recognized by a mind that is free and unencumbered, distinct from any mortal compound, sensing all and setting all in motion, itself endowed with eternal movement. The human mind consists of the same element, the same nature.—Marcus Tullius Cicero, Consolation