The Ghost of New Years Past

Lucky New Year’s Postcard

I’ve said on many occasions, usually around this time of year, that only a fool celebrates the passing of time. Every January 1, take a picture of yourself in your bathroom mirror and note the thinning and graying of your hair, the mottling of your skin, and the network of spidery lines demarcating the zones of your face. Oh, well, it’s all a natural process.

On a more positive note, let’s see what the youthful Charles Dickens wrote about New Years Day in his first book, Sketches by Boz:

Next to Christmas-day, the most pleasant annual epoch in existence is the advent of the New Year. There are a lachrymose set of people who usher in the New Year with watching and fasting, as if they were bound to attend as chief mourners at the obsequies of the old one. Now, we cannot but think it a great deal more complimentary, both to the old year that has rolled away, and to the New Year that is just beginning to dawn upon us, to see the old fellow out, and the new one in, with gaiety and glee.

There must have been some few occurrences in the past year to which we can look back, with a smile of cheerful recollection, if not with a feeling of heartfelt thankfulness. And we are bound by every rule of justice and equity to give the New Year credit for being a good one, until he proves himself unworthy the confidence we repose in him.

This is our view of the matter; and entertaining it, notwithstanding our respect for the old year, one of the few remaining moments of whose existence passes away with every word we write, here we are, seated by our fireside on this last night of the old year, one thousand eight hundred and thirty-six, penning this article with as jovial a face as if nothing extraordinary had happened, or was about to happen, to
disturb our good humour.

Hackney-coaches and carriages keep rattling up the street and down the street in rapid succession, conveying, doubtless, smartly-dressed coachfuls to crowded parties; loud and repeated double knocks at the house with green blinds, opposite, announce to the whole neighbourhood that there’s one large party in the street at all events; and we saw through the window, and through the fog too, till it grew so thick that we rung for candles, and drew our curtains, pastry-cooks’ men with green boxes on their heads, and rout-furniture-warehouse-carts, with cane seats and French lamps, hurrying to the numerous houses where an annual festival is held in honour of the occasion.

We can fancy one of these parties, we think, as well as if we were duly dress-coated and pumped, and had just been announced at the drawing-room door.

Looking Past Uayeb

The Mayan Glyph for Uayeb

In the Mayan Haab calendar, there are eighteen months of twenty days each. Being extraordinary astronomers, the Mayans saw that they were five days short of a full year. They made up for it by adding a nineteenth month consisting of only five days. This period they called uayeb or wayeb.

According to La Vaca Independiente, this short month had some interesting features:

Despite the fact that these days share the calendar with 18 other periods lasting 20 days each, the Uayeb had a bad reputation among the Maya people. According to writings found during the colonial period, these days were considered black periods in which the universe had released dark forces and therefore they didn’t share in the blessings of time.

In the Songs of Dzibalche, a codex found in 1942, a series of allusions to the Uayeb were discovered. These expressed the discomfort the days caused the Maya people:

The days of weeping, the days of evil/ The devil is loose, hell is open/ There is no goodness, only evil… the month of nameless days has come/ Days of pain, days of evil, the black days.

Several theories describe how the Maya passed through such dark times. Some specialists maintain that during these periods they stayed in their homes and washed their hair. Others claim they undertook great processions in thanks for what they’d experienced during the year. One thing that’s certain is that the word Uayeb could be translated as “bewitched staircase.”

Of course, the ancient Mayan uayeb occurred during the summer, around July or August. But because our calendar year ends on December 31, I’ve moved it to the period between Christmas and New Years Eve, where it seeme to make more sense.

I don’t know how you plan to celebrate it, but for myself, I’m going to wash my hair while I still have some left.

13 Principles for 2025

I don’t usually post to this blog from e-mails I have received. Today is an exception. The e-mail is from Ragnar Tómas Hallgrimsson, a journalist writing for The Iceland Review. In it, he writes:

The end of the year is a time to reflect: to weigh what went well over the past 12 months – and what went poorly, and to revise one’s rules for life. In the spirit of the season, here is an updated list of my principles. (In case you need ideas.)

What are your principles?

1 Begin each day with the thought: “What if this was the last time …?”

A cliché to be sure, but the additional caveat from thinker Sam Harris: “because one day it will be,” adds a measure of urgency. What if this really was your final ride down the stream of consciousness (with the people whom you love most?) How would you spend it?

2 You can work on a problem – but you cannot worry about it.

Worrying is the most useless “implement” in the toolbox of man. When confronted with a difficult problem, break it down into small, manageable steps – and then schedule those steps for tomorrow.

3 Every misfortune must be conceived of as an opportunity.

Arguably the hardest principle to follow. How in the world is one supposed to reframe an unexpected traffic jam as a brilliantly disguised opportunity?

4 Keep a record of your days and thoughts with a diary.

Even the mind, with all its stubborn complacency, will be forced to reckon with its mistakes and bad habits when confronted with them daily in written form.

5 If something upsets you, set a stopwatch for 24 hours.

Negative thoughts are like trains: once they start rolling, they’re harder and harder to stop – even if they have no basis in reality. One becomes irritated by a person, starts justifying that irritation, and keeps layering on arguments. If one makes the mistake of voicing these thoughts while the narrative train is at full speed, one usually regrets it.

6 Exercise every day, or, at least every other day.

Good physical health provides a solid foundation for good mental health. Negative emotions are like unfaltering assassins – but a moving target is hard to hit.

7 Put your stamp on all things.

People only remember the things you did YOUR way.

8 Music, every day.

Nothing teases out the important emotions like music, which is stoicism’s twin sibling. Stoicism mitigates and reframes difficult but unwanted emotions; music strengthens desired but muted emotions.

9 Be slow to anger, quick to forgive.

Being upset with people who behave irrationally or inconsiderately is futile. Their behaviour harms them most of all. If people were capable of better behaviour, they’d act better.

10 Be honest, speak plainly, and, for God’s sake – avoid emojis.

Emojis are the hieroglyphics of a civilisation in decline.

11 Restore balance to that which you offset.

Strive to leave the world in a better place than you found it. No matter which corner of the world you currently occupy.

12 There is but one law: be better than you were yesterday.

In the immortal words of Barack Obama: “Better is good,” and you can’t judge better without measurement (“if you can’t measure it, you can’t improve it”). Work hard.

13 Work is a means of coping – nothing more.

Life’s about coexisting with problems: doing just enough each day to keep them at bay. The game is lost when you start dwelling on problems, letting them distract you from the grandeur of life. (An American banker famously didn’t take a single day off from work, only to lose everything in the 1873 financial crash. A few days off wouldn’t have prevented the crash – but they might have changed his life.

The above principles make a hell of a lot more sense than most New Years’ resolutions. By the way, if you are ever interested in visiting Iceland, I highly recommend The Iceland Review. It is an attractive quarterly magazine with outstanding articles and photography, and, yes, it is written in English.

A Dying Art?

When I first came to Southern California in 1966, it was with the intention of becoming a college professor specializing in motion picture history and criticism. Now I have to admit that, in the last year, I visited a movie theater to see a current feature only once, and that was a Marvel film that I hated, namely Deadpool and Wolverine.

And yet, over the last seven years, I have seen some 960 films, mostly on television or streamed. I still love the medium, but now I recognize that it is in the act of becoming a dying art form. I don’t think it will disappear altogether. After all, one can still attend operas. There are still examples of hand-carved woodworking, lace-making, hand-written letters, and marquetry. But, as the years pass, so will many art forms.

As much as I love movies, there are fewer American movies I want to see. Part of the problem is that I am on the elderly side, and movies that appeal to the most desired demographic—young males—are, to me, “greasy kid stuff.” Superheroes that wear their colorful Underoos outdoors in public and engage in loads of computer-graphics-enhanced action. Yuck!

Who is to blame? I guess that when an art form is based on a certain technology, it is subject to the prevalence of that technology over time. But old technologies are constantly being replaced. Just in the film world, look at the various delivery systems: nitrate film, safety film, videotape (Betamax and VHS), DVD, and streaming. What’s next? Notched molecules?

I know that many of you reading this are thinking that, no, film is still a viable art form. There are numerous people intent on conserving the medium. Still, I believe it is on the road to nowhere.

All you have to do is look at what was produced in the 1950s, then in the 1960s, then in the 1970s, 1980s, 1990s, 2000s, 2010s, and now. Both statistically and artistically, the movies are dying a slow death.

Nine Christmas Movies

Ralphie (with Glasses) and the Kids from A Christmas Story

Following is a list of the nine Christmas movies I am committed to seeing again and again during the Yule season. It is highly individual and does not contain many of the usual “heartwarming” titles that clog so many lists like atherosclerosis.

They are listed in order of preference:

A Christmas Story (1983)

It is as if this film were deliberately made with me in mind. The opening scenes shot on Cleveland’s Public Square, featuring the toy display at Higbee’s Department Store, were part of my past. And Ralphie’s school resembles Harvey Rice Elementary School, where I spent kindergarten and part of first grade trying to come to terms with the English language.

A Christmas Carol (1951)

This is by far my favorite version, starring Alastair Sim as Ebenezer Scrooge. I never tire of the story, and this is the most complete telling of Dickens’s tale.

Lady in the Lake (1947)

Robert Montgomery as detective Phillip Marlowe attempting to track down the missing wife of a magazine publisher during Christmas. The love story between Marlowe and Publishing Exec Adrienne Fromsett (played by Audrey Totter) is actually believable.

The remaining titles are in random order and are, to my mind, not quite so good as the top three above:

It’s a Wonderful Life (1946) with Jimmy Stewart
The Shop Around the Corner (1940) also with Jimmy Stewart
The Nightmare Before Christmas (1993) – Stop motion animation from Tim Burton
The March of the Wooden Soldiers (1934) with Laurel & Hardy, a childhood favorite
The Curse of the Cat People (1944) by Val Lewton with Simone Simon singing a lovely French carol
The Bishop’s Wife (1947) with Cary Grant

I’m sure that most people’s reaction to this list is, “What about X, Y, and Z?” They might be on your list, but didn’t make it to mine.

Christmas Cheer

Christmas Display at the Grier Musser Museum

This afternoon, Martine and I visited our friends Rey and Susan Tejada at the Grier Musser Museum near downtown L.A. The Victorian house is being dwarfed by a four-story apartment building under construction just north of them, but the Spirit of Christmas is very much evident in the holiday-related antiques on display.

I forgot to bring my camera along, so the picture above is from our 2019 visit at Christmas time.

As Christmas Day gets closer, I have pretty much surrendered to the good feelings that supposedly prevail at this time. Martine is listening to the Classic Christmas Music channel on Music Choice, and I no longer grit my teeth—unless they decide to play “The Little Drummer Boy,” in which case I feel it incumbent on me to leave the room. Pah-RUP-pup-PUM.

I just want to make Martine happy this time of year. On Monday, I will cook up one of her favorite dishes, a beef stew from a recipe in the New York Times. And we already have a couple of bottles of her favorite wine, Egri Bikavér (Bull’s Blood of Eger) from Hungary.

If Martine is happy, I will be happy.

DMV

Time to Renew My Drivers License

As my drivers license expires in three weeks, I thought it would be a good idea to renew it before it was too late. I used to go to the Santa Monica DMV on Colorado Avenue. The last few times I went there, however, I felt as if I were in a Soviet bread line. Last time, I renewed my license in Torrance, which wasn’t bad. This time, I went to Culver City, which is much closer.

Everything went like clockwork. I was delighted that I no longer had to take the multiple choice “Knowledge Test” with its gotcha questions about blood alcohol, child seats, and obscure legal penalties—none of which is relevant to my driving experience. I was in and out in less than thirty minutes—a record for me. And I walked out with an Interim Driver License until the permanent one with my photo arrives after the holidays.

People tend to be very negative about the Department of Motor Vehicles. Probably, they all went to the Santa Monica branch.

Eluding the Trumpster Dumpster

Notes for Those Attempting to Flee the U.S. of A.

After the November 5th election, many voters are considering the possibilities of becoming an expatriate in a country where the next President (hopefully) could not touch them. After the recent threats to Mexico and Canada, this may not work.

There are two possibilities for a safe passage away from the Trumpster Dumpster. First, choose a country that the next President does not know exists. Here are a number of possibilities:

  1. Azerbaijan*
  2. Belize
  3. Benin
  4. Bosnia and Herzegovina*
  5. Burkina Faso*
  6. Burundi
  7. Cabo Verde
  8. Comoros
  9. Djibouti*
  10. Eritrea*
  11. Eswatini*
  12. Guinea-Bissau*
  13. Kiribati
  14. Kyrgyzstan*
  15. Lesotho*
  16. Liechtenstein*
  17. Malawi
  18. Nauru
  19. Niue*
  20. Sao Tome and Principe*
  21. Tajikistan*
  22. Timor-Leste
  23. Tuvalu
  24. Vanuatu*

To provide an extra level of safety from MAGA-hatted provocateurs, select one of the above countries marked with an asterisk (*). These are countries it is not likely the next President would be able to pronounce correctly enough to be understood.

Kigumi

The Art and Tradition of Japanese Carpentry

Today, I met my brother at the Japan House in Hollywood. He drove in from Palm Desert, where he is a builder whose specialty over the years has been working with wood. On display at the Japan House through January 22, 2025 is an exhibit entitled “Masters of Carpentry: Melding Forest, Skill and Spirit.” It was an awesome display of the beauty and intricate detail that is the art of Japanese carpentry.

According to the handout describing the exhibit:

The exhibit is structured around 5 pillars of daiku [Japanese woodworking masters] culture: a reverence for nature and the Japanese forest, the master carpenters’ refined tools, the practice of dōmiya daiku—the temple and shrine carpenters, kigumi— the strength and beauty of Japanese joinery, and the work of the sukiya daiku—the skillful carpenters employing natural materials to detail and finish teahouses.

What impressed me the most were the exhibits of the intricate joinery linking the boards, posts, and beams using careful measurement and relying as little as possible on nails and other iron and steel fasteners. The result is aesthetically pleasing and built to last. And because it is carefully selected from a large variety of native woods, it even smells beautiful.

According to the exhibit, the islands that constitute Japan are 67% forested. Even such exotic woods as persimmon fruit trees are used because of the striated grain of the wood.

Intricate and Ultimately Pleasing

Although, unlike my brother, I have no skill in woodworking, I quickly became aware that this was high art and a labor of love. This is an exhibit with broad appeal to anyone with an artistic frame of mind. The two hours we spent at the Japan House Masters of Carpentry Exhibit was well worth it.

Japan House Los Angeles
Gallery Level 2
6801 Hollywood Blvd
Los Angeles, CA 90028

https://www.japanhousela.com/

A Dream Within a Dream

Edgar Allan Poe (1809-1849)

I think we underestimate the poems of Edgar Allan Poe. Here’s one of his best, on the subject of life being but a dream. “Deceptively simple?” you might ask. Perhaps, but that is their strength.

A Dream Within a Dream

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow —
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand —
How few! yet how they creep
Through my fingers to the deep,
While I weep — while I weep!
O God! Can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?