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It’s Greek To Me

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The Iconostasis at Assumption of the BVM in Long Beach

On Saturday, Martine and I attended the annual festival at Assumption of the Blessed Virgin Mary Greek Orthodox Church in Long Beach. It was our third Greek festival of the year, and probably not the last. We like the food, the music, and the churches. The Long Beach church was perhaps a bit on the gaudy side, but it was all reverently done.

There remain two more Greek festivals over the next six weeks: St Anthony Greek Orthodox Church on September 20-22 and the big event at Saint Sophia Greek Orthodox Church on October 5-6. I am pretty sure that we’ll be at Saint Sophia. We’ve never been to St Anthony, but we’ll go if I could talk Martine into it.

I love ethnic festivals, particularly if they’re Hungarian. But these are becoming fewer in number as time goes on, and the Magyar population of Southern California becomes more acculturated and dispersed. The Greek festivals seem to be more of a going thing. I hope that it continues to be.

The Beach Zone

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If you hate hot weather and have to live in California, near the beach is the place to be. My brother in Palm Desert is experiencing temperatures over 100° Fahrenheit (38° Celsius) on an almost daily basis. My friends Bill and Kathy in Altadena are typically getting temperatures over 90° Fahrenheit (32° Celsius). Martine and I, on the other hand, live two miles (3.2 km) from the beach and have been comfortable in temperatures not much warmer than 80° Fahrenheit (27° Celsius).

The reason for this is that we are enjoying what is referred to as the marine layer, which is what you get when relatively warm and dry air moves atop a body of cooler water. Sometimes, this layer only goes inland several hundred feet, or several miles, or even all the way to the edge of the desert.

As I drive to the beach, I enjoy looking at my Subaru’s thermometer reading dropping as I near the water. Today, fore instance, from Centinela Avenue to Chace Park in the Marina, a distance of two or three miles, the temperature dropped six degrees Fahrenheit from 83° to 77°. Plus there was a steady breeze that disappeared only a few hundred feet inland.

We live in an apartment that was built in 1945 (the year I was born) without insulation. We have fans, but no air conditioning. (We couldn’t afford it.) It is generally cheaper to live farther inland, but one cannot survive without air conditioning.

Only later in the summer and into early fall does the marine layer becomes less of a factor when the Santa Ana Winds bring the hot dry desert air to the beach communities and blows the marine layer offshore.

Chacing [Sic] Comfort

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Squirrel-in-Residence at Chace Park

As the heat continues, I occasionally seek the cool ocean breezes of Burton W. Chace Park in Marina Del Rey. I say occasionally because, on weekends, the park is being loved to death and the parking lots are all parked up. Yesterday, I sat down in the shade at the edge of the Marina while reading Paul Theroux’s The Last Train to Zona Verde (2013).

The squirrel pictured above approached me nonchalantly as I waited for my 90-minte free parking window to expire. The peninsula seems to have scores of squirrels all busily hunting nuts, seeds, insects, and food scraps.

Shade Trees at Chace Park

En route to the park, I had stopped at Ralph’s Supermarket at Mindanao Way and Admiralty, where I picked up a tasty salmon and tuna poke bowl and a can of Japanese iced green tea. I consumed it at one of the three roofed picnic pavilions seen in the distance of the above photo. Then I sat in one of the stone benches with a good view of boat traffic and relaxed while the breeze ruffled my hair.

Sailboat in the Marina

I returned home, where the temperature was about 8 degrees Fahrenheit (4 degrees Celsius) warmer and cooked stuffed peppers for dinner. Afterwards, I relaxed for an evening of Roger Corman Poe films starring Vincent Price on the Turner Classic Movies (TCM) channel.

Tit for Tat

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Cumulus Clouds Over Los Angeles

In terms of the calendar, summer began on Thursday; but in terms of the actual weather, it began today with high humidity (76%), relatively high temperatures (around 80° Fahrenheit or 27° Celsius), and a parade of majestic cumulus clouds.

If I were to identify the “microseason” we are entering, I would say it is Mexican Monsoon Season, where we are the recipient of the northern edges of Mexico’s summer monsoons.

That’s a fair trade, I suppose, because the united States begins sending in late autumn its nortes, or “northers,” which wreak serious havoc along the Gulf Coast of Mexico. In November 1992, I have memories of two nasty northers which led to extensive flooding in both Campeche and Mérida. I remember wading to the Campeche bus station in knee-deep water to buy tickets for the next morning’s ADO first class bus to Mérida.

When the next morning dawned, I was surprised to see that most of the flooding had subsided considerably.

Mau-Mauing the Pollsters

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Cartoon from the Seattle Times

Times have changed since the reliable old rotary telephone joined the Model T and the locomotive cowcatcher. It used to be that people generally answered the telephone and cooperated with pollsters. Then the world of telephony changed. Nowadays it is not unusual for robocalls selling gonzo vacation packages, suspicious medical insurance, and such to outnumber the calls to which we actually like to respond. Moreover, with Caller ID “Spam Risk” notification, it has become downright difficult for pollsters to get a live respondent.

What happens when one gets through to me? I just say “I don’t respond to polls or surveys” and hang up before the caller can inhale.

Then, too, the multiplication of cell phones has made it chancy to poll a household with no landline and multiple cell phones. I have both a landline and a cell phone. The latter is off most of the time because I was annoyed by receiving numerous robocalls in Mandarin Chinese; so I just use my cell phone to call out when traveling.

There is an interesting PBS website called “The Problem with Polls” that gives you an idea of the problems faced by research organizations.

What surprises me is how polls that wildly contradict one another continue to be news. My assumption is that instead of a one-digit margin of error, it is probably closer to ±25% or more.

Magyarság

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Members of the Kárpátok Folk Dance Troupe

Yesterday, Martine and I attended the 30th Magyar Majális és Tavaszi Fesztivál at the Grace Hungarian Reformed Church in Reseda. This is perhaps the fifth or sixth year we have attended, and each time I was powerfully reminded of my Hungarian roots. I, who speak Hungarian most of the time to confound strangers with whom I do not wish to converse, was surrounded by friendly people speaking, for the most part, the Magyar tongue.

And with the continuing decline of European ethnic restaurants in Los Angeles, it is also the best place in Southern California to find good Hungarian home cooking. Martine had her beloved crémes pastry—sort of a sweet Hungarian cheesecake. I had my favorite gulyás leves (Hungarian goulash soup).

I get very sentimental about my Hungarian roots. Maybe because I am surrounded by non-Hungarians. It requires an effort to keep up my mother tongue for the actual purposes of communication. My pronunciation is right on the money, but my vocabulary and grammar are atrocious. That’s because I essentially ceased using Hungarian as my main language at the age of six.

The Program for the Festival

As I continue to age, I expect to see myself reading more Hungarian literature and seeing more Hungarian movies. The Hungarian Reformed church in Reseda is not really my religion, though it was my mother’s. My parents decided that all boys born into the Páris family were to be Catholics, like my Slovak father; and all girls, to be Hungarian Reformed Protestants. As it turned out, I have only one sibling, my brother Dan.

Hello Darkness My Old Friend

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Los Angeles at Night

This afternoon the thought suddenly hit me that, in the Los Angeles night, it never really gets dark—or altogether quiet, either. I have experienced total darkness only once, when the lights in the Cave of Balancanche near the ruins of Chichén Itzá in Yucatán were turned off to show the turistas why the Maya thought that caves were portals to Xibalba, the “place of fright,” the underworld.

I used to love camping in the desert during the winter months, finding the nighttime in places like Death Valley, Hovenweep, and Chaco Canyon a magical experience. Seeing the myriad of stars in the sky without interference from city lights is something I recommend to all. When was the last time I saw stars in Los Angeles? How about … never?

In addition to the all-pervasive light pollution, there is constant noise, not only from the heater and refrigerator, plus an all-pervasive high-pitched electronic susurrus, but from the city around us. Whenever a motorcycle or a performance car races down the street, a number of car alarms go off and screaming until the automatic shutoff kicks in.

Also, I live within 2-3 miles of three major hospitals: UCLA Ronald Reagan, UCLA Santa Monica, and Saint John. In an average night, we hear several ambulance sirens carting the sick to local emergency centers.

Despite all this, I somehow manage to clock 8-9 hours a night of fairly solid sleep.

I wish I could say the same for Martine. To avoid nightmares, Martine must take a sleeping pill that gives her only 4-5 hours a night, or even less. At a certain point during what I call the Hour of the Wolf, Martine just lies in bed trying without luck to drop off into slumberland.

Three Poets: Katie Farris

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Poet Katie Farris

One of my favorite poets at last weekend’s Los Angeles Times Festival of Books was Katie Farris, who read from her works on Saturday, April 20, at the Poetry Stage. Her recently published collection—Standing in the Forest of Being Alive—brought together her experiences with third-stage breast cancer, the global Covid pandemic, and an America at the point of heading for a messy divorce. Here is her explanation of how it all came together:

What drew me to her poems was her debt to Emily Dickinson and William Blake, two of my all-time favorite poets. In fact, there is definitely something of Emily in her work—without the sometimes obscure wording that sends the reader back to the beginning to make sense of the poet “telling it slant.” Below is the first poem from her collection:

Why Write Love Poetry in a Burning World

To train myself to find in the midst of hell
what isn’t hell.

The body bald
cancerous but still
beautiful enough to
imagine living the body
washing the body
replacing a loose front
porch step the body chewing
what it takes to keep a body
going—

This scene has a tune
a language I can read a door
I cannot close I stand
within its wedge
a shield.

Why write love poetry in a burning world?
o train myself in the midst of a burning world
to offer poems of love to a burning world.

Three Poets: Maggie Millner

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Poet Maggie Millner

It is no surprise that the three poets whose readings I most liked at the Los Angeles Times Book Festival Poetry Stage were all women. They represented three different life paths which, while typically feminine, were universal in their humanity.

The first is Maggie Millner, born in upstate New York, an instructor in writing at Yale University. The poem is from her poetry collection entitled Couplets.

1.12

There are many ways, of course,
of telling it. But each account obscures

some other version equally true.
One is that I lied to everyone I knew.

Another—this one I really do believe—
is that for years I loved him more than me.

I can conjure even now our first apartment’s tile:
white diamonds in their blue argyle

frieze around the sink, the dirty grout
I’d scour with a toothbrush while he was out

at work. I can count four bathmats
over eight years, hear the record player catch

every time we stood up from the table.
And I can still feel the invisible

moat we both lived in, on the other side of which
we knew lay torment, exile, wreckage,

the anarchy of singledom. Loss upon loss.
I remember testing it, the moat: throwing across

a rope to check its breadth, twice to the waist
wading in before retreating, shamefaced,

reining myself back. To him it was a sea
I think entirely impassable. To me

it was a dizzying ravine
that circled us for years, then cut between.

Where Reading Is Honored

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Yes, It Really Was That Crowded

After several consecutive wet weekends, this last weekend was ideal for a big get-together. And that’s exactly what happened at the campus of the University of Southern California (USC) where the 2024 edition of the Los Angeles Times Book Festival took place. I do not recall being in such a crowd scene for decades. In fact, it was so crowded that I couldn’t buy more than three books because the booths that interested me the most were jammed with people.

The only reason I could tolerate the crowds is that they were there honoring books and reading, which are sacred to me. Never mind that most of them read nothing but crap. The important thing is that they were coming together to honor an activity that is disappearing from our anti-intellectual culture.

This time I noticed for the first time that so many of the booths related to self-publishing. And, since no one ever heard of these authors, their booths were, for the most part, unvisited. Well, they are part of the publishing world, too, and with luck a handful of them may make it to the big time.

As with last year, I spent most of my time at the Poetry Stage, where there was a different poetry reading every twenty minutes. There, I made the acquaintance of three women poets I will be discussing later this week.

The one that got away, however, was the Salvadorean poet Yesika Salgado, who spoke at the Latinidad Stage in Spanish, English, and Spanglish. She was magnificent. I couldn’t buy her book because the line to buy a copy and have the poet sign it was approximately a hundred persons long; and I was by that time exhausted and ready to return home.

I guess I should have spent more time at the Latinidad Stage. Even though my Spanish is pretty punk, the people in attendance were into their poets in a big way, and Yesika is a real force on the L.A. literary scene, as this YouTube video will show: