I lost a good friend of forty-six years yesterday morning. Lee Sanders died of pancreatic cancer in a hospice only two blocks from my apartment. Since he was admitted a week and a half ago, Martine and I had taken to visiting him at least every other day.
Searching through my vast archive at Yahoo! Flickr, I am dismayed to find I have no photos of him. I realize now why this is so: Lee was a motion picture projectionist and an avid film goer, so I only ever saw him indoors where I would have had to use flash, which I hate. So I’ll reproduce this scene from the 1924 film Sherlock Jr., with Buster Keaton as a projectionist. I did not want to take any pictures of Lee at the hospice, because he deteriorated so markedly from visit to visit that it saddened me to have to document it. The last day, just hours before his passing, he was barely able to talk articulately; and he was obviously in great discomfort with his swollen left arm, which was elevated on pillows.
Lee had been not only a projectionist, but an officer in IATSE Local 33. He was frequently interviewed about the art of projection and the plight of that art now that digital projectors were being installed in theaters around the country. In a website entitled A Hollywood Job Fades to Black: Film Projectionist, you can hear his voice saying that he intended to be “the last projectionist alive.” Unfortunately, he didn’t make it.
I know union people because my father was a shop steward for MESA in Cleveland. Lee did not quite fit the image: He was articulate, soft-spoken, and scholarly. He spent his spare time seeing great films. His favorites included F. W. Murnau’s Sunrise (1927), John Ford’s The Searchers (1956), and Carl Theodor Dreyer’s Gertrud (1964). You can see a list of Lee’s favorite American films, to which I’ve added my own in the rare cases where we disagreed:
- Best American Films by Year, Part One
- Best American Films by Year, Part Two
- Best American Films by Year, Part Three
In fact, Lee was a major influence on my film-going. I could never hope to have seen as many pictures as he had—though there was a time in the late Sixties and early Seventies when I could match him film by film.
Something of a renaissance man, Lee was also an avid reader and aficionado of classical music. He frequently drove up to Carmel for the Bach Festival. And he was not only active in the Culver City Democratic Club, but honored by them with a plaque appreciating his efforts that he had hung on his hospice room wall.
Although he never married and had a family, Lee was well liked. I remember his telling me he took a date to a quadruple feature and was surprised to find that she couldn’t (and wouldn’t) sit through the whole show. Martine liked him better than all my other friends.
In all our years of friendship, I never remember him getting angry. He was like a Bodhisattva among people pretending (badly) to be wrathful deities. But then he was a graduate of the Besant Hill School of Happy Valley in Ojai. The school was co-founded by Annie Besant, J. Krishnamurti and Aldous Huxley. His time there was a happy one, and he remained close to the school all his life.
Now there is a hole in my life with Lee’s passing, and I am not sure how to fill it.