Man and Woman in Same Bed: Verboten After 1934 (Madam Satan)
Hollywood films released after July 1, 1934 were heavily censored by the Breen Office of the MPAA for adherence to community morality standards, especially with regard to S-E-X. That is partly because between the onset of the Great Depression and that date, Hollywood released numerous pictures that violated the prevailing morality.
Pictures like Cecil B. DeMille’s Madam Satan (1930) for MGM with its Art Deco orgy aboard a Zeppelin. Or Warner Brothers’ Baby Face (1933) with a social-climbing Barbara Stanwyck intent on avenging past slights on the entire male gender. According to film scholar Eddie Muller, the straw that broke the camel’s back was Paramount’s The Story of Temple Drake (1933), starring Miriam Hopkins based on a lurid William Faulkner novel in which her character murders her rapist.
I recall a scene excised from many prints of Josef Von Sternberg’s Morocco (1930) of a bare-breasted native girl smiling at the camera as a column of French Foreign Legionnaires marches past. (In all honesty, however, there are numerous glimpses of breast in many of the silent Jesus pix of the period. Thank you, Mr. DeMille.)
This Film Was Dynamite with Its Immoral Heroine
Several weeks ago, Turner Classic Movies (TCM) showed a program of four pre-code Warner Brothers films that are a good place to start if you want to see what the era was all about:
- Two Seconds (1932) with Edward G. Robinson
- Employees’ Entrance (1933) with Warren William and a hot Loretta Young
- Blessed Event (1932) with Lee Tracy and Mary Brian
- Baby Face (1933) with Barbara Stanwyck
Lee Tracy and Ruth Donnelly in Blessed Event
The prints that TCM showed looked pristine. That is because the originals were stored at the Library of Congress, which took good care of them.
Pre-code stars included, in addition to the above mentioned, actors like Clark Gable, Ruth Chatterton, James Cagney, Mae West, Jean Harlowe, Joan Blondell, Paul Muni, and Mae Clarke.
I regard the Hollywood films of the early 1930s as a happy hunting ground for interesting films that dared to do what no film until the modern day did. In this era of free porn on demand, that might not seem like much, but it does provide a more realistic glimpse of an interesting era in America.
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