Most people’s idea of summer reading is of some cheap paperback to be consumed on a beach towel or on a long plane, train, or bus ride. There are a large number of trashy novels written each year to satisfy this undemanding audience. My taste in reading material, however, is more of what you would describe as deep-dish.
When the temperature rises into the 80s F (30s Celsius), there are certain books that appeal to me. Looking back over July and August in the last several years, here is what appeals most to me during temperature spikes:
Books about India, such as those written by William Dalrymple, author of City of Djinns
The novels of William Faulkner set in Mississippi
The novels of Brazilian author Jorge Amado set in his native State of Bahia
The novels and short stories of Chilean author Roberto Bolaño
American and French noir novels
The Travis McGee novels of John D. MacDonald set in South Florida
Travel books such as those written by Freya Stark, who traveled extensively by herself in the Middle East
Sometimes, I go in the opposite direction: I recently read Chauncey C. Loomis’s Weird and Tragic Shores: The Story of Charles Francis Hall, about a failed trip to discover the North Pole.
I am currently rereading William Faulkner’s Go Down Moses and have Jorge Amado’s Home Is the Sailor in my TBR pile.
For someone who is basically unsympathetic to Trump and his followers, I spend a lot of time reading Southern literature, particularly during the summer. Now that the days are getting warmer, I look forward to reading some more William Faulkner, who is by far my favorite 20th century American author. Joining him will be novels by John D. MacDonald (particularly the Travis McGee series), James Lee Burke’s Dave Robicheaux novels set in Louisiana, Tennessee Williams, and Charles Portis—to name but a few. To that will be added one or more histories of the Civil War.
That also goes for Southern cooking. I love grits and sausage, and tomorrow I will prepare some jambalaya for Martine and me. (It won’t be authentic, as I do not use roux as a base, but it will be recognizable.) In fact, I may share the recipe in a future post.
Tomorrow, I begin reading Faulkner’s The Sound and the Fury for perhaps the third or fourth time. I will have at my side several reference books that will help me track down some of the author’s more obscure references. Difficult as the book is, I will enjoy it immensely, just as I did before.
Some day, when travel once again becomes possible, I would love to visit New Orleans—preferably for the two or three days of the year when the weather verges on the tolerable. It would be fun visiting some of the better Cajun restaurants and the sights of a city that has flown so many flags during its history.
No One Considers This To Be One of Faulkner’s Best
If one has read a whole lot of books, as I have, one eventually gets to the point of filling in the minor works that are not highly regarded by the critics. In William Faulkner’s case, that includes his first two novels, Soldiers’ Pay (1926) and Mosquitoes (1927). It was only when he began setting his stories in his mythical Yoknapatawpha County that Faulkner’s reputation began its steady ascent. And even then, he was not frequently read until he received the Nobel Prize for Literature in 1949 that Americans decided to start reading his work. Since that point, his work has remained in print.
What is to be gained from reading an author’s minor works, especially at the beginning of his career? I enjoyed Soldiers’ Pay only because I love Faulkner. I better understand the steps he took to be able to write The Sound and the Fury (1929), As I Lay Dying (1930), Light in August (1932), Absalom! Absalom! (1936), The Hamlet (1940), and Go Down Moses (1942).
I will continue to “fill in the gaps” in my reading of Faulkner’s work. In the next year or so, I plan to read Mosquitoes, Pylon (1935), and A Fable (1954). At the same time, I’ll re-read one of the great novels just to remind myself what I am trying to do.
I am doing the same thing with the opus of Fyodor Dostoyevsky, but in a slightly different way. I am midway through Joseph Frank’s five-volume biography of the writer and am reading or re-reading his work in tandem with the biography. I am about to re-read Notes from the Underground (1864).