Home » film » An Afternoon in Garmonbozia

An Afternoon in Garmonbozia

Laura Palmer Played by Sheryl Lee

Twice a year, Barnes & Noble has a 50% off sale on Criterion Collection DVDs and Blue-Rays. Today, I bought one of my favorite films from the 1990s, David Lynch’s Twin Peaks: Fire Walk with Me (1992), a prequel based on his two-part television series, Twin Peaks for ABC. The term “garmonbozia” is a nightmarish Black Lodge term meaning pain and suffering. In the movie, the pain and suffering relates primarily to two young women who are killed, and one who is presumably scarred for life: Laura Palmer, Theresa Banks, and Ronette Pulaski.

The so-called Black Lodge is a strange room with no windows, full-length floor-to-ceiling red velvet drapes, and a zig-zag pattern in black and white on the floor. Its permanent inhabitant is Michael J. Anderson (below) as The Man from Another Place. He speaks in a strange, barely understandable dialect which was filmed speaking backwards deliberately, and then reversing the sound track. He eats garmonbozia, which looks very like creamed corn.

Michael J. Anderson as The Man from Another Place and Kyle MacLahlan as FBI Agent Dale Cooper

Twin Peaks: Fire Walk with Me was not a popular film when released. No matter, it and the ABC TV series were at least a decade ahead of their time and are just now coming into their own. (Though, truth to tell, I loved the film when it was first released; and only now am I watching the TV series.) Both the film and the TV series are postmodern to the max and greatly influenced the development of films to follow. In an article from the June 2017 issue of The Atlantic Monthly, James Parker wrote:

Stylistically, the most immediate posthumous effect of all this might have been the gnostic, everything-signifies vibe of The X-Files, but there are glimmering splinters of Twin Peaks in Breaking Bad’s trippy desert-sizzle; in the irruptive, disabling dreamtime of Bran Stark on Game of Thrones; and in the absurdist plot spirals, the gizmos and MacGuffins, of Lost. The Sopranos paid homage with Agent Cooper–esque fugue states and shots of trees blowing in the wind, rippling in their fullness and strangeness. And how is it finally communicated to Tony Soprano, after years of repressed suspicion, that Big Pussy—one of his most trusted sidekicks—is ratting him out to the FBI? By a talking fish, in a delirium, after some bad chicken vindaloo. It doesn’t get more Twin Peaks than that.

I have only a few more episodes of Twin Peaks to watch on DVD and then … and then … I just may pay a visit to the area. I have friends and family in the area.

 

 

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