Aubade

British Poet Philip Larkin (1922-1985)

When one wakes up in the middle of the hour of the wolf, one is likely to think of one’s own death, which is waiting somewhere in the wings. British poet Philip Larkin wrote a great poem about that feeling:

Aubade

I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what’s really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse

The good not done, the love not given, time
Torn off unused – nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.

This is a special way of being afraid
No trick dispels. Religion used to try,
That vast, moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear – no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anasthetic from which none come round.

And so it stays just on the edge of vision,
A small, unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.

Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can’t escape,
Yet can’t accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.

CAPTCHA Follies

Prove You’re a Human by Selecting the Grids Showing Black Pepper

I am not a big fan of CAPTCHA, another of those security tests to prove that (1) you’re human; (2) you have superfine X-Ray vision; and (3) you never make mistakes. Many a time, I have had to undergo half a dozen CAPTCHA screens showing cars, buses, bridges, traffic signals, crosswalks and other more or less indistinct on centimeter-square grids.

And why are they all road-traffic-oriented? It would be easier for me to distinguish a house fly from a mining dredge or a pen from a peacock.

To start with, CAPTCHA is an acronym for Completely Automated Public Turing test to tell Computers and Humans Apart. Strictly speaking, it should be CAPTTTCHA; but then, these things are always a bit wonky. As are the images shown, which typically are tiny and indistinct.

How many times have I tried to look into the tiny grid squares and attempt to distinguish a small car from a bus or an eighteen-wheeler. Eventually, I usually get in. It’s just that I resent having to jump through hoops to prove I’m human, and not just a malicious algorithm.