I have just begun reading Christopher Shaw’s excellent Sacred Monkey River: A Canoe Trip with the Gods, a book about the river waterways used by the ancient Mayans for trading. The Lacandonians are a very traditional Mayan group that live along the Usumacinta River that forms part of the border between Mexico and Guatemala. In 1992, I saw a Lacandonian selling bows and arrows in front of the Casa del Balam Hotel in Merida, Yucatán. The following passage in Shaw’s book caught my eye:
Kayum, one of Chan K’in’s sons, a painter of naïve but arresting jungle scenes with one-man shows from Barcelona to Seattle to his credit, looked up from his ax work and gently scolded Victor [Perera, author of The Last Lords of Palenque] that he must let go of the world. It is creaking and groaning like an old man, he said. Everything prefigured the imminence of xu’tan, he said, the Lacandon apocalypse. The proper attitude of a hach winik [Lacandonian, “real person”] was to welcome it and the new era of creation it anticipated. He spoke with the deep calm and conviction of a believer. Victor never forgot it, though he never accepted it either, Kayum’s willingness to watch and welcome while a thousand generations of accumulated beauty and uncatalogued nonhuman life got traded for the shortest of gains, or in many cases no gains at all.