When traveling, I like to visit the houses in which poets I admire lived. When I was in Chile in 2015, I made a point of visiting all three of Pablo Neruda’s houses: Isla Negra, La Sebastiana, and La Chascona. In Paris, I visited the flat in which Victor Hugo had lived. And, in Franconia, New Hampshire, I visited the farmhouse which Robert Frost occupied beginning in 1915 after he published his collection A Boy’s Will and afterwards as a summer house through most of the 1930s.
Frost remains one of my favorite American poets, along with Emily Dickinson and Walt Whitman. If you look through the same window a great poet has looked through, you begin to understand something about his work.
Before he died in 1963, I attended a poetry reading by Frost at the newly opened Hopkins Center at Dartmouth College. Frost had attended Dartmouth for a while, but dropped out. He also attended Harvard, but he never graduated college. As old as he was, Frost was in complete command of his mind at the age of 87. And I have been moved by his poetry ever since. I got the feeling that Frost was not the bumbling old poet who read his poem “The Gift Outright” at John F. Kennedy’s inauguration in 1961: Hearing him speak, I had a feeling that Frost knew exactly what he was doing, and had no trouble handling an auditorium filled with sharp college undergraduates.