Of late, I have become addicted to TCM’s Noir Alley, which screens Saturday at midnight and Sunday at 9 am (both times Eastern). It was my friends Alain Silver and James Ursini who introduced me (and most Americans) to the genre with their books on the subject. Now that I am retired, I have pursued the subject on my own, both in films and literature. Eddie Muller, host of Noir Alley, shows an interesting array of noir films and provides excellent introductions and background info—when he is not plugging wines for the TCM Wine Club.
Last night, for example, he screened Too Late for Tears, a 1949 United Artists film on how the prospect of money can warp one’s thinking and emotions. Directed by Byron Haskin, the film stars Lizbeth Scott, Dan Duryea, Arthur Kennedy, and Don DeFore. Although the film tanked when it was first released, it is worth a second look; and now that a restored print has been created by the wizards at the UCLA Film Archive, such a second look is now possible.
Aside from Too Late for Tears, the noir films I have seen on Noir Alley in the last few months have included, in the order I’ve seen them:
- Odds Against Tomorrow (1959) directed by Robert Wise, starring Robert Ryan and Harry Belafonte
- The Hunted (1948) directed by Jack Bernhard, startring the strangely beautiful Belita
- The Sniper (1962) directed by Edward Dmytryk, about a misogynist serial killer
- The Threat (1949), directed by Felix Feist, with Charles McGraw as an escaped murderer bent on revenge
- The Big Heat (1953), directed by Fritz Lang, perhaps one of the very best noir films ever made
Many of the films shown are pictures you’ve probably never seen or heard of, yet all are interesting explorations of the underside of the American psyche. I look forward to seeing what Muller selects from week to week.