French Existentialist Writer Albert Camus (1913-1960)

Generally speaking, I have the devil’s own time trying to understand what philosophers write. The absolute worst are the German philosophers like Hegel, Heidegger, and Kant. I have difficulty even reading excerpted quotations from these writers—let alone whole paragraphs or chapters!

I have come to the conclusion that to enjoy reading most philosophers one has to be a gamer where language is concerned.

Fortunately, there are exceptions, particularly among the so-called Existentialist philosophers such as Nietzsche, Kierkegaard, Camus and (on occasion) Sartre. I am currently reading Camus’s Notebooks 1951-1959 where I find surprising, gemlike ideas expressed such as the following:

The history of mankind is the history of the myths with which it covers up reality. For two centuries, the disappearance of traditional myths has shook history as death has become without hope. And yet there is no human reality if in the end there is no acceptance of death without hope. It is the acceptance of this limit, without blind resignation, in the tension of all one’s being that coincides with balance.

I await with patience a catastrophe that is slow in coming.

According to Melville, the remora, a fish of the South Seas, swims poorly. That is why their only chance to move forward consists of attaching themselves to the back of a big fish. Then they plunge a kind of tube into the stomach of a shark, where they suck up their nourishment, and propagate without doing anything, living off the hunting and efforts of the beast. These are the Parisian mores.

Give money, or lose it. Never make it fructify, nor seek it, nor crave it.

In love, hold on to what is.

Lope de Vega, five or six times a widower. Today people die less often. The result is that we no longer need to preserve in ourselves a force of rejuvenating love, but, on the contrary, we need to extinguish it in order to elicit another force of infinite adaptation.

Criticism is to the creator what the merchant is to the producer. Thus, the commercial age sees an asphyxiating multiplication of commentators, intermediaries, between the producer and the public. Thus, it is not that we are backing creators today, it is that there are too many commentators who drown the exquisite and elusive fish in their muddy waters.

Ooh, that last one, I think, is aimed at me.

Shortly after great historical crises, one finds oneself as dissatisfied and sick as on the morning following a night of excess. But there is no aspirin for the historical hangover.

Do not curse the West. For me, I cursed it at the time of its splendor. But today, while it succumbs under the weight of its faults and its long past glory, I will not add to its weight…. Do not envy those of the East, the sacrifice of intelligence and of heart to the gods of history. History has no gods, and intelligence, enlightened b7y the heart, is the only god, under a thousand forms, who has ever been saluted in this world.

I think what makes Camus a philosopher for our time is twofold:

• He was born and raised in Algeria.
• His experience with the French Resistance during World War Two made him avoid the obscurantism of more supine intellectuals.