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Of Two Minds About Christmas

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Christmas Display at L.A.’s Grier-Musser Museum

It is very easy to regard Christmas as both a time of happiness and a major pain in the ass—all at one and the same time. Below are some excerpts from the letters of Victorian novelist Wilkie Collins (1824-1889):

  • “This awful Christmas time! I am using up my cheque-book – and am in daily expectation of fresh demands on it.” to Charles Ward, December 1860-62 (I 286).
  • “at this festive season when the Plague of Plum pudding extends its ravages from end to end of the land, and lays the national digestion prostrate at the feet of Christmas…I had planned to give up eating and drinking until the return of Spring …”  to Miss Frith, 27 December 1870 (II 226).
  • “…are the filthy ‘Christmas festivities’ still an insurmountable obstacle to any proceeding that is not directly connected with the filling of fat bellies, and the exchange of vapid good wishes?” to William Tindell, 29 December 1874 (III 60; B&C II 387).
  • “…there are all sorts of impediments – literary and personal – which keep me in England at the most hateful of all English seasons (to me), the season of Cant and Christmas…But for Christmas-time, I should have read it long ago. I have returned to heaps of unanswered letters, bills, payments to pensioners, stupid and hideous Christmas cards, visits to pay – and every other social nuisance that gets in the way of a rational enjoyment of life…There is no news. Everybody is eating and drinking and exchanging conventional compliments of the season. You are well out of it” to Nina Lehmann, 28 December 1877 (III 180; B&C II 409-410).
  • “I suppose the dreadful Christmas literature is absorbing Mr Kelly’s printers.” to A P Watt 5 November 1883 (III 434).
  • “There is every temptation to die. We have not seen the sun for three weeks, in London – the plague of Christmas Cards is on the increase…Oh, what a miserable world to live in!” to Sebastian Schlesinger, 29 December 1883 (III 452; B&C II 463-465).
  • “Your kind and liberal letter reaches me , at the season devoted to prodigious eating and drinking, universal congratulating and holiday-making, and voluminous appearance of tradesmen’s Christmas bills. ‘Business’ is at a standstill, this year, until Monday next” to Perry Mason & Co, 26 December 1884 (IV 74). 
  • “But there is surely a chance of a change for the better, after the horrors of Christmas are over” To Emily Wynne, 19th December 1885 (IV 139).
  • “The horrid Christmas Day is over -. Let me forget it – and heartily wish you a happy New Year.” to A P Watt, 28 December 1885 (IV 140).
  • “It is a relief to hear that you have got over Christmas Day, and that you have energy enough to confront (I don’t say to eat) that dreadful composition called plum pudding.” to Emily Wynne, 28 December 1885 (IV 141).
  • “I have just discovered a letter of mine dated the 1st of this month – and thanking you for your kind new year’s gifts – huddled away, God knows how, among a mass of Christmas and New years’ cards in my ‘Answered Letters’ basket.” to A P Watt, 5 January 1887 (IV 222).

Despite these feelings Wilkie did keep Christmas. On 18 December 1854 he invited his friend Edward Pigott to his home in Hanover Terrace.

“Don’t talk about having no home to go to – you know you are at home here. Come and eat your Christmas dinner with us – you will find your knife, fork, plate and chair all ready for you. Time six o’clock…Mind you come on Christmas Day.” (I 110; B&C I 129).

I owe the above selections to the Wilkie at Christmas website, which also contains much useful information about this author, whose work I like more the more I read him.

Xhosa Nostra

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Trevor Noah with His Favorite Punching Bag

Of late, I have been watching Trevor Noah’s The Daily Social Distancing Show at 11 pm on Comedy Central. When he first took over from Jon Stewart as the host of The Daily Show, I had my doubts about him; but in the intervening years he has become an engaging presence on the air in his own right.

I even read Noah’s book Born a Crime: Stories from a South African Childhood. I don’t read many biographies, but Trevor’s was interesting. He was born in Johannesburg, South Africa of a Swiss father and a Xhosa mother. As the child of a mixed union, Trevor Noah was by his very existence in violation of South African law under Apartheid. It was interesting to see how he managed he become an entertainer and a small businessman against all odds.

Trevor Noah’s Autobiography

The book is worth reading and throws a lot of light on a welcome personality in these hard times. My only problem with his show is the terrible feng shui: There seems to be an edge of a bookshelf that is on the point of bopping him on the right side of his head. Perhaps he shouldn’t stand in the corner of his home set.

During the coronavirus outbreak and the presidency of the soon to be ex-Trumpster, one of the things that has kept me going is humor. Trevor Noah’s humor is cool and collected. Under the guise of pure entertainment, he manages to get in some very astute political satire and conducts some excellent interviews with various celebrities, such as soccer star Megan Rapinoe and newscaster Rachel Maddow. Like Jon Stewart, he cuts to his own cadre of guest commentators, who run the gamut from good to great.

What the Dickens?!

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Charles Dickens (1812-1870)

It was bound to happen sooner or later. After many decades regarding him as a great writer, I seem to have suddenly fallen out of love with Charles Dickens. It happened while re-reading David Copperfield, one of my hitherto favorites of his. All of a sudden, early in the book, I just didn’t feel like continuing after Mrs Copperfield married the cruel Edward Murdstone.

Shortly thereafter, I started reading Wilkie Collins’s No Name, which I found enthralling. Where Dickens puts together a series of humorous or tragic character sketches, Collins has a rogue hero named Captain Horatio Wragge who is a mixed scoundrel, but one who seems to have a good heart. And his tall, slightly retarded wife Matilda is a compassionate portrait of a disabled woman of the 19th century.

I will try reading Dickens again—probably either The Pickwick Papers or Bleak House; but I feel that somehow I have thrown in my lot with his competition. Wilkie Collins and Anthony Trollope are, to my mind, better writers of fiction. Though perhaps not quite so deft with memorable character sketches.

Wilkie Collins (1824-1889)

Interestingly, Wilkie Collins and Charles Dickens were not only close friends, but partners who co-wrote some works and who had a marked influence on each other. It was Dickens who won all the fame, but Collins who singlehandedly invented the detective novel (The Moonstone) and who retained in his work much of the edginess which has become more popular today.

In his major novels, Collins seems to distrust marriage, seeing it almost as an existential stepping off into the void. He himself was never married, though he had a lifelong relationship with Caroline Graves and her daughter from a previous marriage.

If you are interested in learning more about Collins, there is an excellent website dedicated to his life and work.

Just Before the Quarantine

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Martine Sitting in a Corvette at the Automobile Driving Museum

I was looking at the last photographs I took before the coronavirus quarantine slammed the door on our whole way of life. It was on February 7 that I returned from Mexico, having heard from the news on Al Jazeera about the strange flu in Wuhan, China.

Between February 7 and March 15, when the quarantine was fully in place, Martine and I visited the Andrés Pico Adobe in the San Fernando Valley, Heritage Park in Santa Fe Springs, Descanso Gardens in La Cañada-Flintridge, the Automobile Driving Museum in El Segundo (see photo above), and finally, just as the iron virus curtain was descending, a folk dance concert at the Magyar Ház given by the Karpatók Hungarian Folk Dance Ensemble. That last event was on March 15. I knew we were taking a chance by attending what could easily have become a “super spreader” event, but fortunately didn’t. It was, like all their events, top notch.

The Oak Forest at Descanso Gardens

The quarantine has taken a particular toll on Martine. Although I am a flaming Libtard, Martine listens to right-wing talk radio and complains incessantly about having to wear a mask. She does so whenever she enters a public building, but refuses to wear them on her daily walks to nowhere. She has been hurt by our inability to go anywhere because restaurants, parks, and museums are closed, and it becomes difficult to find a public bathroom that is still open.

Sometimes, I think many of the restrictions regarding Covid-19 are imposed because there are so many scofflaws who think that wearing a mask at all is an imposition on what they feel are their rights (pronounced “rats” with a Southern drawl). Such as the right to scream “Fire!” in a crowded theater or take a loaded AR-15 to Sunday School. In the end, we all suffer because of a hardcore cadre of jerks with which our country is so amply provided.

A Splash of Art

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A Front Yard in Pasadena

It was eight years ago. My friend Bill Korn told me about a house he had discovered during one of his long walks. The front yard of this Pasadena property was a triumphant statement of a home-grown artist. I made the mistake of not noting the address, and I wonder if what we saw then is still there.

The art reminds me of the Watts Towers created by Simon Rodia out of various found objects. In this case, most of the objects were multicolored ceramics, toys, and other small items which were carefully cemented together by the owner of the house.

Broken Ceramics Cemented Together

I guess the front yard structures can be classified as a kind of gonzo art. Yet the effect is curiously pleasing. I’m sure that hundreds of hours went into creating these effects.

Some of the Trees and Succulents in the Yard

When we are able to travel once again and get together with friends and dine inside at a restaurant, I will have to find this place. It really struck a nerve with me.

Am I Still an Auteurist?

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This Is the Magazine That Started It All

The Politique des Auteurs started in France with the writers of Cahiers du Cinema. André Bazin and a young cadre of rising filmmakers and critics felt that the French cinema was becoming too literary and that much was to be learned from the vitality of the American film industry. With almost every issue, they were discovering scores of new film artists such as John Ford, Howard Hawks, Nicholas Ray, and even such downmarket geniuses as Edgar G. Ulmer.

By 1962, the auteurists found an American disciple in Andrew Sarris, film critic for The Village Voice in New York. For the Winter 1962-1963 issue of Film Culture, Sarris created a whole issue dedicated to the auteur theory. As a student at Dartmouth College, I paid to photocopy the entire issue and used it religiously as a guide until Sarris came out a few years later with the greatly expanded American Cinema: Directors and Directions 1929-1968.

The Notorious Auteur Issue of 1962-1963

Circles and Squares: In the interim, Pauline Kael published a blistering attack in Film Quarterly called “Circles and Squares: Joys and Sarris.” Many of her attacks hit home, and they certainly exposed Sarris’s weaknesses as a film theoretician. I had met Pauline Kael and liked her work, but as a young man I was a budding auteurist.

Now, half a century and thousands of films later, I still see myself as having been influenced by the Cahiers crowd and Sarris, but I think there is a lot more to film than an a priori theory imposed from above. On the plus side, the auteurists opened me to the incredible riches of the American film—but I started liking films by such card-carrying non-auteurs as Felix Feist, Edward L. Cahn, Robert Florey, and Charles Vidor.

I give the credit to the auteur theory for introducing me to the idea that American films can also be great. I started my love of film by watching such foreign productions as Carl Dreyer’s Day of Wrath (1948) and Wojciech Has’s The Saragossa Manuscript (1962); but by the late 1960s I was beginning to give Hollywood its due and loosened up considerably.

Villa 31

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View of Apartments in the Villa 31 Shantytown in Buenos Aires, Argentina, on April 25, 2017

I had a long conversation with my friend Suzanne about the homeless earlier this evening. The increasing poverty displayed by the rising numbers of tent-dwelling homeless bothered both of us, especially as we did not find any easy solution to the situation.

During my travels, I have seen some grinding urban poverty, mostly in Buenos Aires. That was only because the train and bus stations in Retiro border on one of the worst slums in South America, namely Villa 31, one of the Villas Miserias in the Argentine capital. In BA, the ugliest slums tend to be prefaced by the word Villa in their names.

The following YouTube video will give you an idea of the place:

YouTube Video About Villa 31

In 2015, I was at the edge of Villa 31 while walking between the train station and the bus terminal. At the time, I was carrying over $2,000 in Argentinean pesos I had just obtained. A couple in their thirties came up behind me and sprayed me with a combination of steak sauce and mustard. Suddenly, they started wiping the mess with tissues that appeared miraculously in their hands. They tried to get me to go to a restroom where they would help me clean up and strip me of anything of value. But as they were urging me to my left, I suddenly cut right toward a waiting taxi and made my escape. The taxi driver was not happy with a passenger that smelled of steak sauce, but I tipped him well to clean up the upholstery after I left.

I did not visit any of the other famous favelas or shantytowns of South America, but I did get a good look at Villa 31 as my bus sped me toward Puerto Iguazú near the border with Brazil and Paraguay.

The Crowding has Made Villa 31 a Covid-19 Hot Spot

If you have any sort of conscience, you can only feel uncomfortable dealing with so much raw poverty. In the gospels (specifically Matthew 26:11), we are told “The poor you will always have with you.” But we are not told how we can eradicate poverty. Maybe we can’t, but I think it is only right that we be disturbed about it.

In Search of the Twonky

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Tony Randall as Merlin in 7 Faces of Dr. Lao (1964)

There is a category of things which one loves even if one knows they are not objectively good. This is particularly true of films, food, people, articles of clothing, and any number of things. For some reason, there is no single word in the English language that conveys the unreasoning attraction for certain things that one loves unreasoningly. (“Campy” is in the ballpark, but not close enough.)

I had been using the word twonky, though I find that my use of the term is common to no one but me. What the hell, I’ll use it anyhow.

One of my favorite twonky films is 7 Faces of Dr. Lao, directed by George Pal, better known for his sci-fi films like Destination Moon (1950) and When Worlds Collide (1951).

It is the tale of a small town in Arizona called Abalone (an odd name for a desert burg.) A little old Chinese fakir called Dr. Lao (pronounced LOW) comes to town advertising a circus. All the characters in the circus are played by Tony Randall (except for the Abominable Snowman, a nonspeaking part played by George Pal’s son Peter). The circus takes place in the desert in a small tent which, on the inside, is miraculously roomy.

Tony Randall as Dr. Lao

The odd thing about Dr. Lao’s circus is that the townspeople learn about themselves, especially Barbara Eden (Angela Benedict) and Arthur O’Connell (Clint Stark, who is trying to buy up the town for profit). Merlin, the Medusa, Pan, Apollonius of Tyana, and the serpent—all act in strange offbeat ways to bring self-knowledge to the people of Abalone. And, in the process, the circus leaves Abalone a happier town.

The Tent Where the Circus Takes Place

I will not go to my grave insisting that 7 Faces of Dr. Lao is a great film, but I will see it again if I can. It always leaves me with a warm feeling. Other films that are among my twonky favorites are:

  • Most classical old sci-fi films
  • James Bond films
  • Earth Girls Are Easy (1984)
  • Danny Elfman’s The Forbidden Zone (1980)
  • Robin Williams’s Popeye (1980) directed by Robert Altman
  • David Lynch’s Dune (1984)

The Perfect House

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Courtyard of the Casa Montejo in Mérida, Yucatán

When most Americans think of the ideal house, they always see it as set back from an immaculately manicured front lawn. Perhaps owing to my hatred of mowing lawns, I much prefer the Mexican house, which presents a blank face to the street—no windows, one regular-sized door—and with a delightful courtyard which can’t be seen from the street.

I cannot for the life of me see myself doing anything on a front lawn other than working my butt off. But a courtyard, that is a different matter altogether. I could set out a chair and read there, or talk to my friends, or even have breakfast.

Courtyard of the Former Archbishop’s Palace in Mérida

In Latin America, you can live in a beautiful house—as seen from the inside—and not have to worry about what the neighbors think. When I think of sliding glass doors opening onto decks, I wonder if most American houses are secure from theft and home invasions.

Street in Campeche: No Front Lawns Here

Above is a typical street in the center of Campeche. Some of the buildings are businesses; other, homes of the well-to-do. There isn’t much zoning in effect.

Truth to tell, unless I win the lottery, I cannot see myself as owning a house. And if I could somehow afford one, my idea of the perfect house would come into conflict with zoning regulations and local customs. I will probably continue to live in an apartment, where I don’t bother my head about perfection in any sense of the word.

Canalside Venice

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Southern California’s Venice Neighborhood Canals

Back in the early twentieth century, Venice was planned as California’s answer to Venice, Italy. There were numerous canals with some nice (and some not-so-nice) houses. The following post is repeated from April 16, 2017.

It being another beautiful day, Martine and I took a walk along the Venice Canals. The six remaining canals are what remains of Abbot Kinney’s original 1905 plan for the area. In addition to the vertical Grand Canal and the Eastern Canal, there are four horizontal canals that link them. To remember them, I use the mnemonic ScHLoCk—for Sherman, Howland, Linnie, and Carroll.

In the past, we would visit the area only around the holidays, especially Halloween and Christmas, to see the decorations. But suddenly, one year, the decorations all but disappeared. The area is interesting, nonetheless, because of the residents’ attempts to create gemlike little gardens and house fronts. There were more than a few vacancies and notices portending structural modifications. There are numerous types of succulents and flowering plants on display, and not a few architectural monstrosities, especially of the modern variety.

I have a feeling that the neighborhood can go either way at this point, either becoming a slightly disreputable slum or a major tourist draw. Most of the other walkers were speaking French and other foreign languages, so it is obviously hitting the European and Asian guidebooks. In any case, it’s a pleasant walk.