The Crossing of the Berezina

The low point of Napoleon’s retreat from Moscow was the crossing of the ice-choked Berezina River, after the Russians had destroyed the bridge. Curiously, that crossing was also a choke point in Charles XII of Sweden’s invasion a hundred years earlier—a fact that Napoleon was aware of as he carried with him Voltaire’s Histoire de Charles XII. Here is the scene as described in Patrick Rambaud’s The Retreat:

What Voltaire wrote of the Swedish troops could have been a description of this shadow of the Grande Armée: “The cavalry no longer had boots, the infantry were without shoes, and almost without coats. They were reduced to cobbling shoes together from animal skins, as best they could; they were often short of bread. The artillery had been compelled to dump all the cannon in the marshes and rivers, for lack of horses to pull them….” The Emperor snapped the book shut, as if touching it would put a curse on him. Slipping a hand under his waistcoat, he made sure that Dr Yvan’s pouch of poison [for possible suicide] was safely attached to its string.

And here is the beginning of Victor Hugo’s poem “Expiation,” part of his The Punishments, about the retreat from Russia (as translated by Robert Lowell):

The snow fell, and its power was multiplied.
For the first time the Eagle bowed its head—
Dark days! Slowly the Emperor returned—
Behind him Moscow! Its own domes still burned.
The snow rained down in blizzards—rained and froze.
Past each white waste a further white waste rose.
None recognized the captains or the flags.
Yesterday the Grand Army, today its dregs!
No one could tell the vanguard from the flanks.
The snow! he hurt men struggled from the ranks,
Hid in the bellies of dead horses, in stacks
Of shattered caissons. By the bivouacs
One saw the picket dying at his post,
Still standing in his saddle, white with frost
The stone lips frozen to the bugle’s mouth!
Bullets and grapeshot mingled with the snow
That hailed ... The guard, surprised at shivering, march
In a dream now, ice rimes the gray moustache
The snow falls, always snow! The driving mire
Submerges; men, trapped in that white empire
Have no more bread and march on barefoot.
They were no longer living men and troops,
But a dream drifting in a fog, a mystery,
Mourners parading under the black sky.
The solitude, vast, terrible to the eye,
Was like a mute avenger everywhere,
As snowfall, floating through the quiet air,
Buried the huge army in a huge shroud ...

That was the low point of Napoleon’s reign, unless you include Elba, Waterloo, and captivity under the English at St. Helena.

The Greatest Chart Ever Drawn

Charles Minard’s Chart of Napoleon’s Russian Campaign 1812-1813

Never before has a military campaign been illustrated so completely as Charles Joseph Minard’s 1869 Carte figurative des pertes successives en hommes de l’Armée Française dans la campagne de Russie 1812–1813. It shows the strength of Napoleon’s forces at every point in the campaign.

Compare the red band at the far left of the illustration showing Napoleon’s force of half a million men as they crossed into Russia in June 1812. Notice as the red band narrows until it reaches Moscow, particularly after the casualties of the Battle of Borodino.

The black band illustrates the retreat from Moscow as winter is beginning to set in. That band gets progressively narrower until the crossing of the Berezina River at Studienka, highlighted by a black smudge I made on the above chart. After Berezina, only 25,000 combatants and 30,000 non-combatants survived. You can see the black band narrow after Berezina.

That particular battle was frequently described in Honoré de Balzac’s stories. particularly “Adieu.” It market the catastrophic end to a catastrophic campaign, which led in short order to Napoleon’s first exile, on Elba.

On the lower part of Minard’s graph, the relative temperature at several selected points during the retreat from Moscow is shown. Note that it was it its lowest around the time the Berezina was crossed.

A Nice Burn

A Sichuan Seasoning That Will Set You on Fire

My brother and I are well-known fire-eaters. Most of the meals I prepare for myself (but not Martine!) are off the charts when it comes to hotness for most of my friends.

It all started when I went on my first vacation to Mexico in 1975 and discovered El Diablito Chile Habanero. There I was in a hot country with smoke pouring out of my ears—and loving every minute of it! After discovering Marie Sharp’s Chile Habanero from Dangriga, Belize in 2019, I thought I had the perfect picante sauce.

Then my brother introduced me to Fly by Jing Sichuan Chili Crisp (illustrated above), which not only has the perfect burn but actually adds flavor. In the last few weeks, I have experimented with Spanish Rice and Spanish Barley, both seasoned with Fly by Jing. Not only was I sold, but I ordered a couple more bottles from Amazon for when my first bottle goes empty (which should be in about a week).

Interestingly, the chili crisps are made with Chinese ingredients originating in Chengdu by a Chinese-American living in Los Angeles. Her name, BTW, is Jing.

The Babes of Star Trek

Diana Ewing as Droxine in “The Cloud Minders” Episode of Star Trek

Every once in a while I kick off my shoes and re-watch one of the original episodes of Star Trek. I am always amazed at how many really beautiful women show up in the series. I can only speculate that Gene Roddenberry must have been an incredible lech, but with good taste. I have already written about Marta the green Orion from the “Whom Gods Destroy” episode, played by Yvonne Craig.

Diana Ewing played the lean and strikingly beautiful blonde Droxine in “The Cloud Minders” episode from the same year (1969). She is one of the epicene Stratos cloud dwellers who live lives of idle pleasure while the Troglytes [sic] below mine zenite, which clouds their thinking.

Whereas Marta had a thing for James T. Kirk, Droxine was more interested in the tall Vulcan, Spock. Unlike Marta, Droxine is still alive at the end of her episode. But alas, the Starship Enterprise never returned to Stratos later in the series.

Vidyādhara

A Vidyādhara Couple

I am currently reading a book of Kashmiri tales that go back a thousand years or more. The book is Somadeva’s Tales from the Kathāsaritsāgara, written around AD 1050, but retelling from an earlier source. To understand the quote below, you must realize that Vidyādharas are celestial beings very much like angels—but angels who can mate with humans without losing their supernatural abilities.

The tale in question is called “Alaṅkāravatī,” which tells the tale of the promiscuous Anaṅgaprabhā, who has just jilted her lover, King Harivara:

When Harivara found out that Anaṅgaprabhā had left, he wanted to die of grief. But the minister Sumantra consoled him and said, “Why don’t you understand this? Think it over yourself. Anaṅgaprabhā left her husband, who had obtained the powers of a vidyādhara by means of a [magical] sword, the moment she saw you. Why would a woman like that stay with you? She has left for something trivial because she does not desire the good, like someone who is enamored of a blade of grass believing it to be a heap of jewels. She has definitely gone with the dancing teacher for he is nowhere to be seen and I heard they were in the dance hall together in the morning. Since you know all this, why are you so attached to her? A promiscuous woman is like the sunset which has a moment of glory every evening.”

Do You Still Pay Your Bills by Check?

During the course of her daily walks, Martine finds the strangest things. Today, it was a hoard of undelivered mail consisting of invoices from which the checks paying them had been removed—presumably to find some checks that could be altered in favor of the thieves.

Mixed in with the bag of mail were food containers with food scraps, typical of the garbage stewed around my neighborhood by the homeless. It is likely that the thief was a homeless ex-con who had learned how to modify checks during a previous imprisonment.

I no longer pay bills by mail. Instead, I use the BillPay service of Bank of America. In five years of usage, I have had no problems; whereas, in previous years, I had problems with mail being delivered late or not at all. This cuts out the Postal Service and all those larcenously inclined bums who prey on it.

Tomorrow, I will give Martine a ride to the main Santa Monica Post Office with the bag of stolen mail, which she brought home from her walk. The mail was scattered all over the intersection of Wilshire Blvd. and 20th Street in Santa Monica.

Epiphanies: Chesterton’s Man Who Was Thursday

I first started listing the books I read in 1972 and continued, with a six month lacuna around 1992, to the present day. Of one thing I am sure: It was Jorge Luis Borges who pointed the way to G. K. Chesterton. Though what I discovered from reading him is slightly different from what Borges discovered.

First of all, there was in Chesterton’s fiction what I call moral landscape, in which the natural environment in the scene takes place is affected by the feeling conveyed by the narrator. Take, for instance, this paragraph from the first chapter of The Man Who Was Thursday:

This particular evening, if it is remembered for nothing else, will be remembered in that place for its strange sunset. It looked like the end of the world. All the heaven seemed covered with a quite vivid and palpable plumage; you could only say that the sky was full of feathers, and of feathers that almost brushed the face. Across the great part of the dome they were grey, with the strangest tints of violet and mauve and an unnatural pink or pale green; but towards the west the whole grew past description, transparent and passionate, and the last red-hot plumes of it covered up the sun like something too good to be seen. The whole was so close about the earth, as to express nothing but a violent secrecy. The very empyrean seemed to be a secret. It expressed that splendid smallness which is the soul of local patriotism. The very sky seemed small.

If I were designing a cover for a new edition of the book, the scene described in this paragraph is what I would attempt to depict.

Thursday was my first Chesterton. There were lines in the novel that affected me strongly. In the same opening chapter, the poet Gabriel Syme is made to say:

“All the same,” replied Syme patiently, “just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree.”

What went through my mind at this point was, “Wow!” That line is forever emblazoned in my memory as the absolute height of imagination. I went on to read all of Chesterton’s fiction, then moved over to his essays and even his religious works. Curiously, although Chesterton is perhaps most famous for his father Brown stories, I did not read those until relatively recently.

But I have read The Man Who Was Thursday four or five times. As a matter of fact, I should re-read it again soon.

Epiphanies: Borges’ Labyrinths

Jorge Luis Borges Story “Tlon, Uqbar, Orbis Tertius”

This is the first of a series of posts about literary works that got ,e started in becoming the person I am today. It all started with a New Yorker article around 1970 which introduced me to Latin American magical realism. I was enthralled, so I hunted up the two Jorge Luis Borges (1899-1986) books it mentioned: Labyrinths and Ficciones.

Borges really got me started on a quest that is still going strong more than half a century later. The first book I read was Labyrinths, and the first story in that collection was “Tlon, Uqbar, Orbis Tertius.” As soon as I read the following, I was on my way:

From the remote depths of the corridor, the mirror spied on us. We discovered (such a discovery is inevitable in the late hours of the night) that mirrors have something monstrous about them. Then [Argentinian writer Adolfo] Bioy Casares recalled that one of the heresiarchs of Uqbar had declared that mirrors and copulation are abominable, because they increase the numbers of men.

It turns out that Bioy Casares was quoting from a strange encyclopedia that the two of them decide to look up, but have difficulty finding, because different editions of the Anglo-American Cyclopedia have different articles.

I now own everything that Borges ever wrote that has been translated into English, and several in the original Spanish. Borges sent me in many directions. The next time, I will talk about how he turned me on to G. K. Chesterton.

Pitocchetto

Giacomo Ceruti’s “The Beggar at Rest”

Yesterday, I decided to escape the summer heat by visiting the Getty Center and reveling in some great works of art. One of my favorite discoveries was a whole gallery full of paintings by the Italian Giacomo Ceruti (1698-1767). He was known as Pitocchetto, which means “The Little Beggar,” probably because so many of his paintings highlighted beggars, the poor, and people in humble occupations.

It’s a nice change from all the magnificent kings, princes, and nobles resplendent in gold and silk. One art critic, Mira Pajes Merriman, writes that Ceruti’s paintings confront us with

the detritus of the community; the displaced and homeless poor; the old and the young with their ubiquitous spindles, eloquent signs of their situationless poverty and unwanted labor; orphans in their orderly, joyless asylums plying their unpaid toil; urchins of the streets eking out small coins as porters, and sating them in gambling; the diseased, palsied, and deformed; lonely vagabonds; even a stranger from Africa—and all in tatters and filthy rags, almost all with eyes that address us directly…

And yet, confronted with one of his paintings, one is arrested by a different vision of the baroque era, not so different from our own tent encampments of the homeless.

“The Dwarf” by Giacomo Ceruti

One thing that sets Ceruti apart is that he allows his subjects their dignity, irrespective of the lowliness of their social status. He is above all a compassionate artist who is not above showing us an alternative picture of his times.

Orcs

Halfway through my re-reading of The Lord of the Rings trilogy, I have come to realize that orcs really do exist. They are capable of only one feeling: Rage. And they meekly do the bidding of the Dark Lord, who is squirming in frustration at Mordor-a-Lago as further indictments attempt to break his power forever. They are distributed across the land, but most particularly in what has been referred to as the Red States.

Am I perhaps being too simple-minded? Perhaps. But the peace of Middle-Earth is in danger of being shattered forever. The land in which I was raised is being threatened by dark hordes who, while waving the same flag to which I pay allegiance, are quite satisfied to stomp on and destroy everything it stands for.

Somehow, over the last few decades, we have been nurturing a generation of thugs who have declared unending enmity with the elves and other libtards whom they feel have been sneering at them.

Oh, where is that ring of power now that I want to throw it into a white-hot dumpster fire?