Sonnet 129

The Waikiki Malia Hotel in Waikiki

It was our second night in Honolulu. We had a room on the 12th floor of the Waikiki Malia Hotel’s Malia Tower. The next room away from the elevator was occupied by a couple of young women who were entertaining young male guests. Because the two rooms were connectable by a locked door, we could hear pretty much everything that was said.

Martine and i were pretty tired by 10 pm, because that was the same as 1 am Los Angeles time. Still we were entertained by the goings-on next door. All four were obviously on on liquor and possibly worse, and the girls were doing a major snow job on the guys. After three quarters of an hour, all four left to go out; but before long one of the couples returned to have very noisy sex.

After about ten minutes, the sounds from the other room were of conflict. The guy was complaining that his driver’s license was missing. After the act, there appeared to be no love lost between the two. As I lay in bed, I could easily have predicted this. After the guy left in a huff, everything went quiet; and we dropped off to sleep.

I was reminded of Shakespeare’s famous Sonnet #129 on the subject of lust:

Th’ expense of spirit in a waste of shame
Is lust in action; and, till action, lust
Is perjured, murd’rous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust;
Enjoyed no sooner but despisèd straight;
Past reason hunted, and no sooner had,
Past reason hated as a swallowed bait
On purpose laid to make the taker mad,
Mad in pursuit and in possession so;
Had, having, and in quest to have, extreme;
A bliss in proof and proved a very woe;
Before, a joy proposed; behind, a dream.
    All this the world well knows, yet none knows well
    To sun the heaven that leads men to this hell.


    

“A Toad Can Die of Light”

I can never tire of Emily Dickinson’s poems. Short though they may be, they resonate far beyond their few lines. I love the last two lines about “the gnat’s supremacy.”

A toad can die of light!
Death is the common right
Of toads and men,--
Of earl and midge
The privilege.
Why swagger then?
The gnat's supremacy
Is large as thine.

Acquainted With the Night

Poet Robert Frost (1874-1963) with Dog

I was privileged to attend one of Robert Frost’s last poetry readings at Dartmouth College’s Hopkins Center. Let me tell you something about Frost: He was no doddering sweet old man. His mind was sharp, and he have the appearance of knowing exactly what he was doing. He had attended Dartmouth College in his youth, but dropped out.

Acquainted With the Night

I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.

I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,

But not to call me back or say good-bye;
And further still at an unearthly height,
One luminary clock against the sky

Proclaimed the time was neither wrong nor right. 
I have been one acquainted with the night.

His poems sound so simple at first, but look again ….

History of the Night

Argentinian poet Jorge Luis Borges was well acquainted with the night, especially when he lost his sight in the 1950s. It is best to remember that fact as one reads his poem “History of the Night.”

History of the Night

Throughout the course of the generations
men constructed the night.
At first she was blindness;
thorns raking bare feet,
fear of wolves.
We shall never know who forged the word
for the interval of shadow
dividing the two twilights;
we shall never know in what age it came to mean
the starry hours.
Others created the myth.
They made her the mother of the unruffled Fates
that spin our destiny,
they sacrificed black ewes to her, and the cock
who crows his own death.
The Chaldeans assigned to her twelve houses;
to Zeno, infinite words.
She took shape from Latin hexameters
and the terror of Pascal.
Luis de Leon saw in her the homeland
of his stricken soul.
Now we feel her to be inexhaustible
like an ancient wine
and no one can gaze on her without vertigo
and time has charged her with eternity.


And to think that she wouldn't exist
except for those fragile instruments, the eyes.

“The Echo Elf Answers”

Thomas Hardy (1840-1928)

English poet Thomas Hardy uses an echo based on the last few words of a number of questions he puts regarding his future. It’s a somewhat dark poem, but a good one.

The Echo Elf Answers

How much shall I love her?
For life, or not long?
               “Not long.”
 
Alas! When forget her?
In years, or by June?
               “By June.”
 
And whom woo I after?
No one, or a throng?
               “A throng.”
 
Of these shall I wed one
Long hence, or quite soon?
               “Quite soon.”
 
And which will my bride be?
The right or the wrong?
               “The wrong.”
 
And my remedy– what kind?
Wealth-wove, or earth-hewn?
               “Earth-hewn.”

The Crossing of the Berezina

The low point of Napoleon’s retreat from Moscow was the crossing of the ice-choked Berezina River, after the Russians had destroyed the bridge. Curiously, that crossing was also a choke point in Charles XII of Sweden’s invasion a hundred years earlier—a fact that Napoleon was aware of as he carried with him Voltaire’s Histoire de Charles XII. Here is the scene as described in Patrick Rambaud’s The Retreat:

What Voltaire wrote of the Swedish troops could have been a description of this shadow of the Grande Armée: “The cavalry no longer had boots, the infantry were without shoes, and almost without coats. They were reduced to cobbling shoes together from animal skins, as best they could; they were often short of bread. The artillery had been compelled to dump all the cannon in the marshes and rivers, for lack of horses to pull them….” The Emperor snapped the book shut, as if touching it would put a curse on him. Slipping a hand under his waistcoat, he made sure that Dr Yvan’s pouch of poison [for possible suicide] was safely attached to its string.

And here is the beginning of Victor Hugo’s poem “Expiation,” part of his The Punishments, about the retreat from Russia (as translated by Robert Lowell):

The snow fell, and its power was multiplied.
For the first time the Eagle bowed its head—
Dark days! Slowly the Emperor returned—
Behind him Moscow! Its own domes still burned.
The snow rained down in blizzards—rained and froze.
Past each white waste a further white waste rose.
None recognized the captains or the flags.
Yesterday the Grand Army, today its dregs!
No one could tell the vanguard from the flanks.
The snow! he hurt men struggled from the ranks,
Hid in the bellies of dead horses, in stacks
Of shattered caissons. By the bivouacs
One saw the picket dying at his post,
Still standing in his saddle, white with frost
The stone lips frozen to the bugle’s mouth!
Bullets and grapeshot mingled with the snow
That hailed ... The guard, surprised at shivering, march
In a dream now, ice rimes the gray moustache
The snow falls, always snow! The driving mire
Submerges; men, trapped in that white empire
Have no more bread and march on barefoot.
They were no longer living men and troops,
But a dream drifting in a fog, a mystery,
Mourners parading under the black sky.
The solitude, vast, terrible to the eye,
Was like a mute avenger everywhere,
As snowfall, floating through the quiet air,
Buried the huge army in a huge shroud ...

That was the low point of Napoleon’s reign, unless you include Elba, Waterloo, and captivity under the English at St. Helena.

“This Kind of Fire”

This has been a month for re-reads. Today, I finished reading Charles Bukowski’s The Continual Condition, a posthumous collection of his unpublished poetry. I love Buk’s poetic voice. Here is a poem entitled “This Kind of Fire.”

This Kind of Fire

sometimes I think the gods
deliberately keep pushing me
into the fire
just to hear me
yelp
a few good
lines.

they just aren’t going to
let me retire
silk scarf about neck
giving lectures at
Yale.

the gods need me to 
entertain them.

they must be terribly
bored with all
the others

and I am too.

and now my cigarette lighter
has gone dry.
I sit here
hopelessly 
flicking it.

this kind of fire
they can’t give
me.

The Labyrinth

I keep returning to the poems of Jorge Luis Borges in the labyrinthine journey of my life. For over half a century, his writings have shone a strong light on my path forward. Several years after Borges died, John Updike translated his poem “The Labyrinth” and had it published in The New Yorker.

The Labyrinth

Zeus, Zeus himself could not undo these nets
Of stone encircling me. My mind forgets
The persons I have been along the way,
The hated way of monotonous walls,
Which is my fate. The galleries seem straight
But curve furtively, forming secret circles
At the terminus of years. And the parapets
Have been worn smooth by the passage of days.
Here, in the tepid alabaster dust,
Are tracks that frighten me. The hollow air
Of evening sometimes brings a bellowing,
Or the echo, desolate, of bellowing.
I know that hidden in the shadows there
Lurks another, whose task is to exhaust
The loneliness that braids and weaves this hell,
To crave my blood, and fatten on my death.
We seek each other. Oh, if only this
Were the last day of our antithesis!

Summer Is Icumen In

It was bound to happen eventually. We had an unusually cold winter, but now the pendulum has swung to the other extreme. It wasn’t so bad near the ocean, where we live; but Martine spent most of the day downtown, where the temperature was several degrees of Fahrenheit warmer. It was no surprise to me that she took the earlier bus back.

The title of this post is the diametric opposite of the first line of an Ezra Pound satirical poem on the subject of winter, written, of course, in Middle English:

Winter is icumen in,
Lhude sing Goddamm,
Raineth drop and staineth slop,
And how the wind doth ramm!
Sing: Goddamm.
Skiddeth bus and sloppeth us,
An ague hath my ham.
Freezeth river, turneth liver,
Damm you; Sing: Goddamm. 

Goddamm, Goddamm, ’tis why I am, Goddamm,
So ’gainst the winter’s balm.
Sing goddamm, damm, sing goddamm,
Sing goddamm, sing goddamm, DAMM.

Typically during this time of year, I turn into a lizard-like reader of books set in warm climates, like India, South and Central America, or the Deep South. I started by re-reading William Faulkner’s Sanctuary (1932) and have started in on Edouard Glissant’s Faulkner, Mississippi (1999).

I will probably try to get up earlier so I can take my walks in the cooler mornings. Once noon has passed, it is no fun to exercise.

When to Photograph a Poet

Polish Poet Adam Zagajewski (1945-2021)

The following poem by Adam Zagajewski hits the nail right on the head when describes the very uncinematic and unphotographic life of a poet.

Poets Photographed

Poets photographed,
but never when
they truly see,
poets photographed
against a backdrop of books,
but never in darkness,
never in silence,
at night, in uncertainty,
when they hesitate,
when joy, like phosphorus,
clings to matches.
Poets smiling,
well informed, serene,
Poets photographed
when they’re not poets.
If only we knew
what music is.
If only we understood.