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Unco Braw

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Sir Walter Scott (1771-1832)

I cannot help but think that that the literary reputation of Sir Walter Scott will continue to fade. After all, he can be diabolically difficult to read. His Guy Mannering: or The Astrologer (1815) is written in English, a broad Lowland Scots dialect, thieves cant, with numerous quotes in Latin, French, German, and Dutch.

Just the Scots itself can be challenging to most readers. The following terms were excerpted from the 20+ page glossary: aiblins, awmous, bestad, braw, camsteary, clanjamfray, eilding, fow, fremit, gumphion, niffer, sapperment, unco, and waf. In addition, my edition (Penguin) has some sixty pages of detailed end notes.

And yet I think that Scott is one of the finest novelists of the 19th century. The plot line of the book is a bit ridiculous. And there really isn’t a central character (not even Guy Mannering himself). At different times, the reader is confused whether to follow Mannering, Godfrey Bertram, Meg Merrilies, Vanbeest Brown, Dandy Dinmont (not a dog), or the eccentric lawyer Paulus Pleydell.

But if you are willing to take the trouble of trying to understand Scott, the rewards are great. He wrote so energetically, and his knowledge of Scots law is so impressive, and his language so vivid that the two weeks I spent reading the novel were an unalloyed pleasure from beginning to end. Even his descriptions of the wild landscape around Solway Firth are worthy of note:

Do you see that blackit and broken end of a shealing?—there my kettle boiled for forty years—there I bore twelve buirdly sons and daughters—where are they now?—where are the leaves that were on that auld ash-tree at Martinmas!—the west wind has made it bare—and I’m stripped too.—Do you see that saugh-tree?—it’s but a blackened rotten stump now—I’ve sat under it mony a bonnie summer afternoon, when it hung its gay garlands ower the poppling water.—I’ve sat there, and I’ve held you on my knee, Henry Bertram, and sung ye sangs of the auld barons and their bloody wars—it will ne’er be green again, and Meg Merrilies will never sing sangs mair, be they blithe or sad. But ye’ll no forget her, and ye’ll gar big up the auld wa’s for her sake?—and let somebody live there that’s, ower gude to fear them of another warld—For if ever the dead came back amang the living. I’ll be seen in this glen mony a night after these crazed banes are in the mould.

Again, Scott is a difficult author, but I think demonstrably a great one.

The Book Collector

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My apartment is home to my collection of books, five to six thousand volumes in all. In addition to my library, which is dedicated to my collection, I have crowded book-cases in every room of my apartment, including the kitchen and bathroom.

There was a time when I could not visit a bookstore without buying several new or used books. In addition, I purchased books from EBay, Abebooks.Com, and a fair number of other Internet book dealers.

Right now, I am reading with great enjoyment Walter Scott’s Guy Mannering; or, The Astrologer (1815), the second of his Waverley Novels. Forty or fifty years ago, I would think nothing of trying to find the complete works of any author I liked. In fact, at one time I owned a complete hardbound set of the Waverley Novels. Now I only have some twenty selected titles—but in nice editions. In this, I resemble Dominie Sampson in Guy Mannering:

The lawyer afterwards compared his mind to the magazine of a pawnbroker, stowed with goods of every description, but so cumbrously piled together, and in such total disorganisation, that the owner can never lay his hands upon any one article at the moment he has occasion for it.

Guilty as charged! But now that I am approaching my eightieth year, I would like to find a good home for most of my books. It helps—sad to say—that bookstores, in disappearing from the landscape, furnish less of a temptation.

Tomorrow, I will travel downtown to return some library books (and get some new ones). I will be strongly tempted to visit the (appropriately named) Last Bookstore at 5th and Spring Streets and check out their more obscure Sir Walter Scott titles, such as Peveril of the Peak, Count Robert of Paris, Anne of Geierstein, and The Fortunes of Nigel.

But, really, who am I kidding? Will I really read all of Scott’s novels? If I live long enough, I sure would like to try. But why buy the books when I can check them out of the Central Library or download them on my Amazon Kindle. Old habits die v-e-r-y hard.

In Love with Moominland

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Some of the Inhabitants of Moominland

Other than Lewis Carroll and L. Frank Baum (author of The Wizard of Oz), my favorite children’s literature author is Tove Jansson of Finland. Beginning in 1945, she created a world called Moominland, inhabited by a variety of engaging non-human characters. Chief among them is the Moomintroll family, consisting of Moominmamma, Moominpappa, the Snork Maiden, and Moomintroll himself (itself?).

It has been a few decades since I picked up one of the volumes of the Moominland saga. Today, I just finished reading Moominland Midwinter (1957). I found myself falling in love with the weird, utterly engaging world of a valley inhabited by lovable weird creatures.

One of my favorites is a philosopher called Too-Ticky. At one point, she muses:

I’m thinking about the aurora borealis. You can’t tell if it really does exist or if it just looks like existing. All things are so very uncertain, and that’s exactly what makes me feel reassured.

A true Scandinavian, she also ponders the following: “One has to discover everything for oneself. And get over it all alone.” Too true!

For an annotated list of all of Jansson’s Moominlit, click here.

Amusing, But No Longer True

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H. L. Mencken knew how to write, but not everything he wrote holds up today. In Prejudices Second Series, he took a hatchet to the literary reputation of the American South in an essay entitled “The Sahara of the Bozart.” Since then, some of the best American writing has come from the South, including William Faulkner (at the top of the list), Flannery O’Connor, Eudora Welty, Ralph Ellison, Harper Lee, Zora Neale Hurston, Robert Penn Warren, and a host of others. Still, Mencken is fun to read:

Alas, for the South! Her books have grown fewer—
She never was much given to literature.

In the lamented J. Gordon Coogler, author of these elegaic lines, there was the insight of a true poet. He was the last bard of Dixie, at least in the legitimate line. Down there a poet is now almost as rare as an oboe-player, a dry-point etcher or a metaphysician. It is, indeed, amazing to contemplate so vast a vacuity. One thinks of the interstellar spaces, of the colossal reaches of the now mythical ether. Nearly the whole of Europe could be lost in that stupendous region of fat farms, shoddy cities and paralyzed cerebrums: one could throw in France, Germany and Italy, and still have room for the British Isles. And yet, for all its size and all its wealth and all the “progress” it babbles of, it is almost as sterile, artistically, intellectually, culturally, as the Sahara Desert. There are single acres in Europe that house more first-rate men than all the states south of the Potomac; there are probably single square miles in America. If the whole of the late Confederacy were to be engulfed by a tidal wave to-morrow, the effect upon the civilized minority of men in the world would be but little greater than that of a flood on the Yang-tse-kiang. It would be impossible in all history to match so complete a drying-up of a civilization.

A Great Writer from India

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2009 Stamp Honoring R. K. Narayan (1906-2001)

The above stamp was issued to honor the 103rd anniversary of the birth of India’s greatest writer of fiction: Rasipuram Krishnaswami Iyer Narayanaswami, better known as R. K. Narayan. Interestingly, he wrote most of his fiction in English. And it was Graham Greene whose influence led to the publication of his first four books.

I have just finished reading his short-story collection entitled Malgudi Days (1942), in which every one of the 30-odd stories competed with all the others for Best in Show. Over the years, I have also read a number of other titles—all of which I loved—including:

  • Swami and Friends (1935) which includes the cricket scene shown on the illustrated stamp above
  • The Bachelor of Arts (1937)
  • The Financial Expert (1952)
  • The Guide (1959)
  • The Vendor of Sweets (1967)
  • A Tiger for Malgudi (1983)
  • Under the Banyan Tree and Other Stories (1985)

Narayan’s fiction is mostly set in a mythical South Indian city called Malgudi. Once you start reading his work, it will seem like home to you.

Travis McGee and Others

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Mystery Writer John D. MacDonald (1916-1986)

When the dog days of summer roll around, I like to look for a good mystery novel, especially if the scene of action is in a steamy place like Florida. Ever since I discovered that I could “check out” up to ten books from the L.A. public library to read on my Amazon Kindle, I have been looking for John D. MacDonald titles. In the last few weeks, I have picked out four titles. To date, I have read eleven of his books.

In many ways, MacDonald reminds me of Georges Simenon, another of my favorites. On one hand, Simenon wrote some 75 novels featuring Inspector Jules Maigret, and hundreds of other of what he calls his romans durs, or “hard” novels. You guessed it: The latter group tend to be much more hard-bitten than the Maigret titles.

In the same way, MacDonald has his score of Travis McGee novels set in Florida and featuring the very sympathetic captain of the Busted Flush, the yacht on board of which he lives. Like Raymond Chandler’s Philip Marlowe, he is a knightly presence in the Southern California darkness. MacDonald’s non-Travis-McGee titles also tend to be a bit tougher sledding, with his detective’s humane presence absent.

I am just now starting to read some of MacDonald’s other fiction, such as Border Town Girl.

Crônicas: How To Deal With What One Has

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Clarice Lispector (1920-1977)

Clarice. I love her name. I love her high cheekbones and penetrating gaze. And most of all, I love the beauty of her thoughts and writings. She wrote in Portuguese, but she was born Chaya Pinkhasivna Lispector in Chechelnyk, Ukraine. To escape the horrors of the Civil War between the Red and White Russians, her Jewish parents fled with their infant daughter to Recife in northeastern Brazil. At an early age, it was discovered that she could write well enough to be published. And she became one of the great women novelists and short story writers of the 20th century.

I am reading short pieces she wrote for Brazilian publications. They are called Crônicas and were recently published in a volume called Too Much of Life, which I am slowly reading with great pleasure.

This is the first of several posts in which I will present one of her Crônicas. I hope you enjoy them.

HOW TO DEAL WITH WHAT ONE HAS

A being lives inside me as if he were entirely at home, and he is. He is a glossy black horse who, despite being entirely wild—for he has never lived inside anyone else and no one has ever put reins or a saddle on him—despite being entirely wild, he has, for that very reason, the primitive gentleness of one who knows no fear: he sometimes eats from my hand. His muzzle is moist and cool. I kiss his muzzle. When I die, the black horse will be left homeless and will suffer greatly. Unless he chooses another house that is not afraid of him being simultaneously both wild and gentle. I should say that he has no name: you just have to call him and that is his name. Or perhaps not, but summon him in a gently authoritative voice, and he will come. If he senses and feels that a body is vacant, he will trot silently in. I should also warn you not to be afraid of his neighing: we mistakenly think that we are the ones neighing with pleasure or rage.

Epiphanies: Chesterton’s Man Who Was Thursday

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I first started listing the books I read in 1972 and continued, with a six month lacuna around 1992, to the present day. Of one thing I am sure: It was Jorge Luis Borges who pointed the way to G. K. Chesterton. Though what I discovered from reading him is slightly different from what Borges discovered.

First of all, there was in Chesterton’s fiction what I call moral landscape, in which the natural environment in the scene takes place is affected by the feeling conveyed by the narrator. Take, for instance, this paragraph from the first chapter of The Man Who Was Thursday:

This particular evening, if it is remembered for nothing else, will be remembered in that place for its strange sunset. It looked like the end of the world. All the heaven seemed covered with a quite vivid and palpable plumage; you could only say that the sky was full of feathers, and of feathers that almost brushed the face. Across the great part of the dome they were grey, with the strangest tints of violet and mauve and an unnatural pink or pale green; but towards the west the whole grew past description, transparent and passionate, and the last red-hot plumes of it covered up the sun like something too good to be seen. The whole was so close about the earth, as to express nothing but a violent secrecy. The very empyrean seemed to be a secret. It expressed that splendid smallness which is the soul of local patriotism. The very sky seemed small.

If I were designing a cover for a new edition of the book, the scene described in this paragraph is what I would attempt to depict.

Thursday was my first Chesterton. There were lines in the novel that affected me strongly. In the same opening chapter, the poet Gabriel Syme is made to say:

“All the same,” replied Syme patiently, “just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree.”

What went through my mind at this point was, “Wow!” That line is forever emblazoned in my memory as the absolute height of imagination. I went on to read all of Chesterton’s fiction, then moved over to his essays and even his religious works. Curiously, although Chesterton is perhaps most famous for his father Brown stories, I did not read those until relatively recently.

But I have read The Man Who Was Thursday four or five times. As a matter of fact, I should re-read it again soon.

Epiphanies: Borges’ Labyrinths

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Jorge Luis Borges Story “Tlon, Uqbar, Orbis Tertius”

This is the first of a series of posts about literary works that got ,e started in becoming the person I am today. It all started with a New Yorker article around 1970 which introduced me to Latin American magical realism. I was enthralled, so I hunted up the two Jorge Luis Borges (1899-1986) books it mentioned: Labyrinths and Ficciones.

Borges really got me started on a quest that is still going strong more than half a century later. The first book I read was Labyrinths, and the first story in that collection was “Tlon, Uqbar, Orbis Tertius.” As soon as I read the following, I was on my way:

From the remote depths of the corridor, the mirror spied on us. We discovered (such a discovery is inevitable in the late hours of the night) that mirrors have something monstrous about them. Then [Argentinian writer Adolfo] Bioy Casares recalled that one of the heresiarchs of Uqbar had declared that mirrors and copulation are abominable, because they increase the numbers of men.

It turns out that Bioy Casares was quoting from a strange encyclopedia that the two of them decide to look up, but have difficulty finding, because different editions of the Anglo-American Cyclopedia have different articles.

I now own everything that Borges ever wrote that has been translated into English, and several in the original Spanish. Borges sent me in many directions. The next time, I will talk about how he turned me on to G. K. Chesterton.

Orcs

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Halfway through my re-reading of The Lord of the Rings trilogy, I have come to realize that orcs really do exist. They are capable of only one feeling: Rage. And they meekly do the bidding of the Dark Lord, who is squirming in frustration at Mordor-a-Lago as further indictments attempt to break his power forever. They are distributed across the land, but most particularly in what has been referred to as the Red States.

Am I perhaps being too simple-minded? Perhaps. But the peace of Middle-Earth is in danger of being shattered forever. The land in which I was raised is being threatened by dark hordes who, while waving the same flag to which I pay allegiance, are quite satisfied to stomp on and destroy everything it stands for.

Somehow, over the last few decades, we have been nurturing a generation of thugs who have declared unending enmity with the elves and other libtards whom they feel have been sneering at them.

Oh, where is that ring of power now that I want to throw it into a white-hot dumpster fire?