I couldn’t resist sharing this cartoon with you of our narcissistic Presidentissimo. As his enemies close in on him, he becomes ever more objectionable. Does he think his base will protect him? I don’t think his base is growing at all.
You wouldn’t think that Martine is a big fan of the Three Stooges, but she is. She has seen every one of their shorts innumerable times. For the last twelve years or so, we have trekked to Glendale’s Alex Theatre see see their annual big screen event, usually on the Saturday after Thanksgiving. Today was the 21st annual Stooges show at the Alex.
The theme this year was a title with the number three in it. Consequently, the program included:
I am not about to claim that watching Stooge shorts is a sophisticated intellectual experience, but it is uproariously funny. There is something about watching same with a large appreciative audience that makes it funnier still.
The Alex Theatre is on the National Register of Historic Places. Founded in the 1920s, it has become a venue for not only films, but occasional concerts. Two of the upcoming film programs include the Nutcracker Ballet with the Los Angeles Ballet (several dates in December) and “The Greatest Cartoons Ever” on December 26.
One of the reasons that incline Martine toward events in Glendale is that she truly loves the way Armenians prepare chicken. (The City of Glendale is the largest Armenian city outside of Asia.) Glendale is the home to Sevan Chicken at Kenilworth and Glenoaks and Elena’s Greek and Armenian Restaurant at 1000 Glendale Boulevard.
With most Americans, I would wager that what flows in their veins is either coffee or Coca-Cola. With me, it’s tea—either hot or iced. And my tea is occasionally made with tea bags, but most of the time with tea leaves which I store in bulk. Although I also drink Chinese and Japanese green teas with my Chinese or Japanese food, my tea of choice for my own cooking is Indian black tea. Darjeeling is by far the best, but the better grades can be fiendishly expensive. So I usually blend it with Ceylon or Assam depending on the time of year.
When it gets cooler, as it is now, I like to mix the Darjeeling with a “wake-me-up” Assam like Baruti or Ghalami. I -purchase the tea in bulk either from an Indian or Persian grocery store. One pound of any loose black tea will last me the better part of a year.
I have a cheap Japanese metal pot with a removable insert so that I don’t need a strainer to remove the infused tea leaves from my cup. After making a couple of cups of hot tea for breakfast, I save the rest of the tea in the pot for iced tea, adding two or three ice cubes per glass. During the summer, I usually drink iced tea all the time, including for breakfast.
My iced tea is usually unsweetened. For hot tea, I like to add mesquite honey and a squeeze of fresh lime.
Sometimes I don’t even think of myself as an American because I’m not hooked on coffee and Coke. Although I will occasionally drink a Coke when the only alternative is iced tea adulterated with passion fruit, raspberries, or kumquats. Adulterated iced tea is an abomination and to be avoided at all costs.
For all the years I have lived in Southern California I have heard weather reports that included the phrase “from Point Conception to the Mexican Border.” It has finally entered my skull that, in terms of the weather, the border between Northern and Southern California is at a place in Santa Barbara County called Point Conception. North of Point Conception, the California coast is fairly vertical; south of the Point, the coastline goes from northwest to southeast. If you look at weather maps showing wind patterns, it is a fairly good bet that they split off in two directions once they reach Point Conception.
The area around the Point is sacred to the Chumash Indians as the “Western Gate” through which the souls of the dead pass between the mortal world and the heavenly paradise of Similaqsa. When a natural gas exploration firm attempted to drill there in 1978, the Chumash protested and faced them down.
Tonight, we have rain in the forecast, for only the second time since early last spring. It’s not supposed to be a big storm, only about a half inch or so; but any amount is most welcome.
When I first started visiting the Maya ruins in Yucatán and Chiapas, I had picked the losing horse in the race to interpret the glyphs that were to be found at so many of the ruins. The archaeologist I followed was John Eric Sidney Thompson, better known as J. Eric S. Thompson. In the late 1970s and throughout the 1980s, he had a number of books in print that I studiously pored over, including Maya Hieroglyphic Writing, Maya Archaeologist, Maya History and Religion, and The Rise and Fall of Maya Civilization.
Essentially, Thompson believed that, beyond significant calendar dates, the glyphs didn’t mean anything. It wasn’t until after Thompson died in 1975 that such pioneers as Linda Schele, Michael D. Coe, and David Stuart suddenly discovered that the glyphs at Palenque not only had calendar dates, but also the names of rulers and a description of events being commemorated. Quite suddenly, the Maya had a history. And what worked at Palenque also worked at scores of other Maya sites in Yucatán and the jungles of the Petén.
The problem was that Thompson was not only uninterested in languages (he never learned Mayan), but he stood like a watchdog to make sure that no one who had the right background would not endanger his conclusions.
When last I went to the Maya archaeological zone, the Maya lacked a history. Thanks to the pioneering work of two Russian researchers—Tatiana Proskouriakoff and Yuri Valentinovich Knorozov—the Mayans of the Classical Period now have not only a history, but a rich one as well.
Take a deep breath: You will notice a certain burnt flavor to the air, because it is full of ashes … from brush, from houses, from unfortunate pets and wild critters, and from God knows what all. When the devil wind blows in the autumn, it doesn’t take much to turn Malibu into a charnel house. It’s not so much the trees that burn as the underlying brush, which thereupon sends up flaming embers that land on roofs hundreds of feet away. And when one house goes up in smoke, there’s a good chance that surrounding structures will as well.
All evening, I have been blowing my nose constantly, turning several handkerchiefs into soppy messes. There have been times in the past when this constant sneezing and nose-blowing is the prelude to a nasty cold. I hope that this is not one of those instances. I got my flu shot six days ago, and I am not sure it is protecting me just yet.
I often wonder why people want to live in Malibu. There is only one real highway in and out, with a couple of mountain routes that connect California Route 1 to the San Fernando and Conejo Valleys. There is something to be said for a nice ocean view, but the people who could afford to live there get pretty blasé about the view after a few weeks. And there is a near certainty of destruction by fire or flood over a period of several decades. I suppose it is one of the things people do “because they can.” Regardless how stupid it is in the long run.
The scene is a port somewhere. You can see the unfurled sails of a ship just over the wall while two muffled figures hover around the entrance of a building. There is a tower just over the wall that could be a lighthouse, but maybe not. Note the conflicting shadows: The building on the left is casting its shadow in the 4 o’clock position, while the unseen structures on the right have shadows that are closer to the 10 o’clock position, I love these strange Mediterranean landscapes which seem to suggest so much but say nothing clearly.
Giorgio di Chirico (1888-1978) was, to my mind, the greatest of the surrealist painters. Although I prefer the landscapes, he painted other subjects as well:
In one of his writings, the painter states, “What is especially needed is great sensitivity: to look upon everything in the world as enigma….To live in the world as in an immense museum of strange things.” The above image certainly qualifies.
The flags atop the facing buildings show a strong wind blowing from right to left. The steam from the locomotive beyond the wall in the background, on the other hand, is going straight up. Again, we have two muffled figures in the middle distance and a strange statue of a reclining male in the middle of the square. Again—not unusual with Chirico—the shadows are a little inconsistent. Where, for instance, is the shadow of the tall phallic tower.
The following poem by Kenneth Rexroth appeared in a poetry collection in Everyman’s Library Pocket Poets entitled Blues Poems. It is entitled “Married Blues.” I know I never had any children (I’m sterile as a result of an old pituitary tumor), never even got married; but I can appreciate Rexroth’s poetic vision.
I didn’t want it, you wanted it.
Now you’ve got it you don’t like it.
You can’t get out of it now.
Pork and beans, diapers to wash,
Too poor for the movies, too tired to love,
There’s nothing we can do.
Hot stenographers on the subway.
The grocery boy’s got a big one.
We can’t do anything about it.
You’re only young once.
You’ve got to go when your time comes.
That’s how it is. Nobody can change it.
Guys in big cars whistle.
Freight trains moan in the night.
We can’t get away with it.
That’s the way life is.
Everybody’s in the same fix.
It will never be any different.
Today was my day downtown. After my mindful meditation session, I took the Dash B bus to Chinatown and had a delicious lunch of Beef in Black Bean Sauce at the Hong Kong BBQ on Broadway. As I ate my lunch, I read a long article in The New Yorker about cryptocurrencies. It was entitled “The Stuff Dreams Are Made Of” and was by Nick Paumgarten. I have held back from the subject because I used to be a computer programmer myself and know how tempting it can be to game whatever system I am designing to my advantage.
People are so mesmerized by the concept of a blockchain because it is something new and edgy. Therefore it exercises a powerful attraction, especially to people who are not quite conversant with the technology.
Do you know what a blockchain is? One can’t advance far into the subject without coming to terms with the concept. Here is a link to a graphic presentation from Reuters entitled “Blockchain Explained”: Click Here. I am familiar with hash codes in search algorithms, so I feel somewhat familiar with the ground. What disturbs me is that human nature keeps rearing its ugly head and leading to the system being easily scammed. Also, I am not happy about ransomware from hackers demanding payment in cryptocurrencies, because the transfer is untraceable by law enforcement.
I am always suspicious about economic activities that require more faith than I am willing to repose in them. There is such a marketing aspect to the whole technology that one feels one were being assailed by timesharing condominium salesmen, as I was when I landed at the Cabo San Lucas airport a couple years ago.
What if cryptocurrencies became more popular than the 1% share of the global financial services market they currently occupy. Even at the current level, blockchain software requires incredible computer power. According to the Paumgarten article:
This year, it is said, the Bitcoin network will use as much energy as the nation of Austria, and produce as much carbon dioxide as a million transatlantic flights. Mining rigs—computers designed specifically to do this work—are thirsty machines. Mining farms tend to sprout up where juice is cheap (typically, in proximity to hydropower projects with excess capacity to unload) and where temperatures are low (so you don’t have to burn even more electricity to keep the rigs cool). There are open-air warehouses in remote corners of sub-Arctic Canada, Russia, and China, with machines whirring away on the tundra, creating magic money, while the permafrost melts.
I can foresee Thomas Pynchon writing a sequel to his Bleeding Edge about this activity. It’s almost as if the subject of cryptocurrencies and the high priests who run them were made to order for him.
As David Chaum, one of the pioneers of cryptocurrency software, once said, “There’s never been, in the history of civilization, this much money aggregated as a result of doing nothing.”
Martine and I have been working at thinning my overflowing collection of books and papers. Today, two 8 x 10 photos emerged of me in a 1970s student film by Trevor Black and Lynette Cahill. If I remember rightly, the film was based on a Chekhov story called “The Duel.” I played a bit part as a cheating gambler. How any self-respecting gambler sport such a rat’s nest of a hairdo is beyond me. The interesting thing is that, unconsciously, in costume I resembled my literary hero, G. K. Chesterton, hair and all. (Today my hair is not much to look at.)
I enjoyed this brief acting stint, though I was never requested to act again. No casting directors have besieged me to try out for any major studio (or even indie) productions. No matter: I was never really that interested in film production, whether as director, crew, or actor. I just liked to see, talk about, and write about great films. I would have liked to become a professor of film history, but that was not in the cards for me; and I have no regrets about the winding path I wound up taking.
Here is another view of me in costume, acting as the second in a duel:
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