This Is Not a Debating Society

If it hasn’t happened to you before, it will—especially if you post a blog that identifies you as a libtard. I am certainly one, and proud of it. A few days ago, I wrote a post about my dislike of what the Second Amendment has come to mean. If you say something negative about guns, you will inevitably draw a response from a troll.

Now it is a well-known fact that it is not worth disputing with a troll. If the troll posts a comment, it will not be to obtain information or evaluate your post: It will aim at “pwning” you, by making you look like a fool. The goal of the comment is for the troll to “win” and for the blogger to “lose.”

What I usually do is, as soon as I detect a troll-like tone, is to hit the troll with a preemptive burst of snark right off the bat. Before he could bring his guns to bear, either hit him again or casually deprive him of the right to post on your blog site.

This is not a debating society. When I write about politically sensitive issues, I have no interest in engaging with the opposition in a dispute. All these disputes come across as dreary exercises that are not worth engaging in. So have no compulsion about blowing off the troll. You have no obligation to defend yourself against nugatory attacks.

“Rat Among the Pines”

Poet Roger Reeves at the Los Angeles Times Book Festival

As I have mentioned before, the highlight of my visit to the Los Angeles Times Festival of Books was the Poetry Pavilion, where I could sit in the cool shade on a hot spring day and listen to some outstanding poets. One of them was Roger Reeves, an Associate Professor of Poetry at the University of Texas in Austin. The following poem, entitled “Rat Among the Pines” comes from his collection Best Barbarian, a finalist for the National Book Award. It tells in terse poetic language the violence of life in America.

Rat Among the Pines

Terror, tonight

Is the moon
Slipping from a rat’s gray grasp,

Finding its way back
Into the sky, which is America—

A white moon
Leaning on the night’s neck

With its hand in its pocket,
Moon hung calm above

Catastrophe, the police
Breaking the neck of a man

Who had just brushed summer’s
First bead of rain from his eye-

Lashes. Who—knocking a Newport
Against a wrist, watching smoke

Break its head against a brick
Wall—is preparing to die

Unaware they are preparing to die.
Heavy the moon, silly the tasking

Of a rat with delaying death.
Terror, tonight

Is the candor of the earth
Where someone is preparing to die

And the earth receives that dying
With its hands in its pockets.

And the moon that once burnt the silk
Hump of a rat, back in the sky.

And my daughter hiding in the rose
Bushes, asking who, who the sirens

Have come to kill. And someone calling
It beautiful—summer, moon—

And someone dying beneath that beauty,
Which is America.

Magyar Blood

Folk Dancers from the Kárpátok Troupe at Grace Hungarian Reformed Church

For the first time since the Covid lockdown began, Martine and I were able to attend a church festival, in this case the Hungarian festival at Grace Hungarian Reformed Church in Reseda. I was raised on Hungarian food, and Martine, although French, prefers Hungarian food to the cuisine of her native land.

So we chowed down on stuffed cabbage and krémes (Hungarian style cheesecake) and watched a program of folk dancing. Plus I had the opportunity of practicing my rusty Hungarian. Although it is my native language, my vocabulary and grammar are atrocious. Yet my pronunciation is still pretty accurate. As I’ve mentioned before, I speak a rural Fehérmegye dialect dating back to the 1930s. This is what we spoke at home in Cleveland.

Still and all, I want to stay close to my Magyar roots as much as possible. I see it as an escape hatch when I get too disgusted with my fellow Americans. I like to stay current with Hungarian literature, even though I have to rely on translations into English, of which there are few.

Below is the announcement for the festival we attended today:

Not a single word is in English, and yet I understood most of it. And what I didn’t understand, I looked up.

Martine and I have been attending this church’s spring festivals for most of the last eleven or twelve years. Great fun!

Visiting Kuruvungna Springs

As I wrote in my last post, I wanted to introduce Martine to the sacred Tongva/Gabrieleño springs that exist as an enclave at West L.A.’s University High School. Apparently, the springs are closed to the public except on the first Saturday of each month.

Today, we showed up around noon and spent a few minutes walking around the springs and visiting the little cultural center with its exhibits. The tribe forbids photography of their cultural center, so I was unable to present any views of the exhibits. Below, however, is what the springs look like:

Kuruvungna Springs with High Rise Apartments in Background

I was surprised to see so many people in attendance. For one thing, a number of volunteers were doing yard work; and my guess is that most of the other visitors are locals who know about the Springs’ rare opening times.

Kuruvungna

Kuruvungna Springs in West Los Angeles

Not a mile from my front door, on the grounds of University High School in West Los Angeles is a spring that is sacred to the Tongva (aka Gabrieleño or Fernandeño or Kizh) tribe that inhabited this area. For many years, it was vandalized and graffitied until the State of California provided funds for restoring it. Today, it is a cool enclave of the Uni Hi campus.

(Uni High, by the way, was where Roger Vadim’s Pretty Maids All in a Row (1971) was shot, starring Rock Hudson, Angie Dickinson, and Telly Savalas.)

The Tongva tribe has no reservation, but there is a small cultural center on the grounds of Kuruvungna Springs. I found an old newspaper article which gave the original Tongva names of many Southern California places.

Several years ago, I visited the Springs. I understand that they will be open on Saturday. With luck, I can talk Martine into visiting it with me. It is one of those secret little places that make Los Angeles endlessly interesting.

About That Militia

Evzones: Traditional Uniform of the Elite Greek Guards

Everyone I know is sick to death of the multiple shootings appearing in the news every day. I look back at the text of the Second Amendment, so beloved of pudgy aged 50+ Texans and Midwesterners, and I wonder how we have come to this. Here is the entire text of the amendment:

A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.

Well, I say let them buy guns, but with one proviso: They must form a well-regulated militia, with frequent regular meetings, preferably scheduled during major sports playoffs, bowl games, and championships. Oh, and they must have a uniform. Otherwise, they can’t really be said to be a well-regulated militia, no?

As for the uniform, I prefer that of the Greek Evzones, illustrated above. Now although the uniform doesn’t look butch enough to most Americans, the Evzones were elite mountain and light infantry units that were tested in battle against the Turks in the 1920s and Communist insurgents of the 1950s.

Since I am opposed to cultural appropriation, I suggest that the skirts worn by the pot-bellied gun-toting militia be rainbow colored; and the pom-poms on the shoes should be pink.

The guards in the above photo are serious soldiers, which our NRA-loving militia would not be. But, by God, they would be well-regulated … to the point of complete exasperation and utter abashment.

Stuck in a Bubble

As we age, we tend to find ourselves stuck in a bubble. Even with the wonders of the smart phone and social media, we seem to have found a new way of isolating ourselves. One of my friends cannot have a conversation without mentioning the politics and culture of America between 1966 and 1976. His talk is of the Kennedy assassinations (he was actually present at Robert Kennedy’s), the FBI vs. the Sioux at Pine Ridge, the Manson Family, and related topics. He goes back frequently to his college days or his Midwestern upbringing.

If one is feeling stressed, I can understand trying to find refuge in the past. It is a particular temptation as one ages, especially if life has not proved satisfactory in some way. And, when you think about it, it rarely does. We are all mortal, and the stresses do not disappear when one is up against the endgame. As we all inevitably are.

My way of fighting the bubble-ization of old age is to try to understand the present. Mind, I didn’t say to accept it. For instance, I do not own a smart phone—though I have a flip phone I use occasionally. I use FaceBook mainly as a content provider: All my WordPress posts are sent to my FaceBook page, and I usually add a couple of funny comics to boot. I do not have any Twitter, Instagram, TikTok, or other social media accounts. (And I don’t feel socially deprived as a result.)

When people try to put me down with an “Okay, Boomer!,” I merely point out that I am pre-Baby-Boom, having been born during the last days of the Second World War. In fact, I was born some six months before the Trinity A-Bomb test, so I’m also pre-Atomic-Age. That only means I am older than dirt. But I am still alive.

One Night in Santa Monica

The Apartment Building at 1323 11th Street

During most of the 1970s, I lived in a two-bedroom apartment on 11th Street in Santa Monica. I was on the second floor, with the bottom floor being a carport. On the way up the back stairs to my apartment (#10), I had to pass #8 and #9. I am giving you this detail so that you will be able to better see what happened to me on night around 1978.

I was returning from Von’s Supermarket with a bag of groceries. As I walked down the alley, I saw two young Armenian men crouching behind a car with a trailer loaded with furniture. They motioned for me to take cover. I surmised that they were moving into one of the apartments (the building owner was Armenian), but I had no desire to wait for man indeterminate time in the dark, cold alley. So I continued on.

As I turned to mount the stairs, I saw my alcoholic white trash neighbor Merle standing at the top of the stairs with a rifle. I greeted him: “Hi, Merle. How’s it going?” He complained that those damned kids who were moving in made too much noise and giving him a headache. He added: “You’ve always been a good neighbor to me, Jim.” So he moved to one side and let me pass.

As I turned my back to him to go to my front door, I was conscious that I had just done something irrecoverably stupid and that I might be shot in the back. I turned the key, entered my apartment, and fell on the floor, breathing heavily.

Within minutes, the Santa Monica Police arrived and arrested Merle. I never saw him again. Shortly thereafter, his wife Ursula moved out. One neighbor had told me that once, when he knocked on the door of #8, Ursula answered the door stark naked. I, however, was deprived of that experience.

Actually, except for that one incident, Merle and I got along all right.

J M W Turner’s Castle in Wales

“Conway Castle, North Wales” as Painted by Joseph Mallord William Turner (1798)

Back in 1976, I visited Britain after making some money selling a script idea. One of the places I stayed was Betws-y-Coed, from which I could visit several beauty spots in North Wales. One of them was Conwy [sic] Castle. I was elated to see at the Getty Center J M W Turner’s rendition of Conway Castle, which is what the English called it.

The Getty website describes the painting:

On a dramatic, rocky area of the northern coast of Wales looms the late medieval Conway Castle. It towers over a stormy bay while fisherman struggle to pull their boats ashore. Caught in this uproaring of the sea, the tiny figures of fishermen in their boat convey a sense of humans’ barely significant place in the order of the universe.

The Welsh landscape exerted a strong hold on Joseph Mallord William Turner, and he made several sketching trips there in the 1790s. In this early Romantic painting, Turner represented the dramatic effects of natural light, allowing sunshine breaking through the clouds to illuminate the castle and the coast beyond.

The castle was built by Edward I—the evil king in Mel Gibson’s Braveheart played by Patrick McGoohan—between 1283 and 1287. It was one of a number of fortifications he built in his effort to subdue the Welsh. Here’s what it looks like today:

Conwy Castle Today

A Civilized Man

MƒEXICO D.F. 19 NOVIEMBRE2007.-El escritor Sergio Pitol, presento su nueva obra literaria que lleva como titulo “Trilog’a de la Memor’a” esto en la Casa del Refugio. FOTO: GUILLERMO PEREA/CUARTOSCURO.COM

Mexican author Sergio Pitol Deméneghi (1933-2018) was a man of the world. As a writer and diplomat, he traveled the world and wrote some fascinating books that were a curious mélange of literature, autobiography, and travel. The following is taken from his The Art of Flight.

[Italian philosopher] Norberto Bobbio offers a definition of the “civilized” man that embodies the concept of tolerance as daily action, a working moral exercise: The civilized man “lets others be themselves irrespective of whether these individuals may be arrogant, haughty, or domineering. They do not engage with others intending to compete, harass, and ultimately prevail. They refrain from exercising the spirit of contest, competition, or rivalry, and therefore also of winning. In life’s struggle [civilized men] are perpetual losers. […] This is because in this kind of world there are no contests for primacy, no struggles for power, and no competitions for wealth. In short, here the very conditions that enable the division of individuals into winners and losers do not exist.“ There is something enormous in those words. When I observe the deterioration of Mexican life, I think that only an act of reflection, of critique, and of tolerance could provide an exit from the situation. But conceiving of tolerance as it is imagined in Bobbio’s text implies a titanic effort. I begin to think about the hubris, arrogance, and corruption of some acquaintances, and I become angry, I begin to list their attitudes that most irritate me, I discover the magnitude of contempt they inspire in me, and eventually I must recognize how far I am from being a civilized man.