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Outstanding, Good, So-So, Stinko

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Martha Gellhorn

I have completed my Januarius Project for January 2022. Just to remind you, I typically reserve an entire month at or near the beginning of the year to introduce myself to authors whose work I have not hitherto read. Below is the summary, beginning with the best books and ending with the one stinko book.

Outstanding

  • Martha Gellhorn, Travels with Myself and Another. She might be Ernest Hemingway’s ex-wife, and she may well be as good if not better than her former hubby.
  • M F K Fischer, Two Towns in Provence. Consists of two parts, a great book on Aix-en-Provence, and a merely very very good book on Marseilles.
  • Saint Augustine, Confessions. I’d put this one off for decades, but it is really great, especially the chapter about time.
  • Kenzaburo Oe, A Personal Matter. A Nobel Prizewinner I will have to read more of.
  • Ben Loory, Stories for the Nighttime and Some for the Day. A great original short story collection of fantasy and horror.
  • Geoffrey Moorhouse, The Fearful Void. A solo journey across the width of the Sahara that didn’t pan out, though this book about it certainly did.
  • Derek Walcott, Midsummer. A Nobel Prizewinning poet from the Caribbean. Super stuff.

Good

  • Angela Carter, The Sadeian Woman and the Ideology of Pornography. What the Marquis and Pornhub have in common.
  • Nic Pizzolatto, Galveston. A promising neo-noir author.
  • Edward Whittemore, Quin’s Shanghai Circus. Wild, exotic, and interesting.
  • Eric Jager, The Last Duel: A True Story of Crime, Scandal, and Trial by Combat. The 2021 Ridley Scott movie was based on this medieval thriller.
  • Roger Shattuck, The Banquet Years: Origins of the Avante-Garde in France 1885 to World War I. How four French artists (a painter, a composer, a poet, and a playwright) influenced modern art.

So-So

  • Pete Beatty, Cuyahoga. A weird fantasy on the early history of Cleveland, the city of my birth.
  • Meghan Abbott, Die a Little. Vaguely promising, but typical of a New Yorker who knows very little about L.A.
  • Peter Theroux, Translating LA: A Tour of the Rainbow City. Better than most, but nearly so good as his brother Paul’s work.

Stinko

  • William Beckford, Vathek. This 1786 oriental fantasy is still studied in college. Why?

All in all, this year’s Januarius project was a rousing success. Twelve out of the sixteen authors I read for the first time are worth following up on in the months and years to come.

Horror Journeys

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If you read Martha Gellhorn’s Travels with Myself and Another: A Memoir, you should probably start with the penultimate chapter entitled “What Bores Whom?” In it, she muses about a large group of hippies staying at her hotel in Eilath, Israel’s port on the Gulf of Aqaba. The gilded youth were mostly strung out on hash, and their conversation was mostly about how so-and-so was squashed out of his or her gourd. And then, quite suddenly, we get Martha’s thoughts about travel:

Thinking of those kids at Eilath has given me a new slant on horror journeys. They are entirely subjective. Well of course. If I had spent any time analyzing travel, instead of just moving about the world with the vigour of a Mexican jumping bean, I’d have seen that long ago. You define your own horror journey, according to your taste. My definition of what makes a journey wholly or partially horrible is boredom. Add discomfort, fatigue, strain in large amounts to get the purest-quality horror, but the kernel is boredom. I offer that as a universal test of travel, boredom, called by any other name, is why you yearn for the first available transport out.

Travels with Myself and Another gives us four journeys, all of which are quite horrorshow. But they are by no means boring, though I would have given money to have stayed at home. First there was her trip with then-husband Ernest Hemingway to China in the middle of her war with Japan. That was followed up by a boat trip in the Caribbean in 1942, at a time when Nazi U-Boats were sinking hundreds of ships there. The longest chapter is about a solo trip to Africa, starting in Cameroon, stopping in Chad and the Sudan, and finally a jaunt through East Africa in a Land Rover which she drove herself. Finally, there is a short chapter about a visit to Moscow around 1972 to visit Nadezhda Mandelstam, the widow of poet Osip Mandelstam—during which she could not get a single decent meal.

Although all four of her journeys are truly horrible, the author seems to revel in her difficulties. In a way, they make her observe more clearly. And her book is a travel classic despite all the “discomfort, fatigue, strain.”

I think I will read some of her war correspondence next to see how she regards travel when she is being fired upon.