On past visits to the Autry National Center’s exhibit of paintings of the West, I had always admired James Doolin’s “Bridges” (illustrated above). By now, I have begun to believe that it is one of the most representative landscapes of Los Angeles, simultaneously showing the present web of freeways and, underneath all the concrete, the desert.
I could almost swear the scenes are of the Pasadena Freeway (I-110), which I drove today on the way back from visiting Bill and Kathy Korn in Altadena. It looks like the stretch as you approach downtown L.A. from the north. You can see the 1930s concrete work (in fact the year 1937 appears on the lower left abutment).