What King Tut Looked Like at the Age of 18, When He Died
King Tutankhamen had a short and probably not very happy life. He became pharaoh at the tender age of nine, but he was bedeviled by illnesses that caused him considerable pain and shortened his life. Tut’s father was his uncle and his mother was his father’s sister. Apparently, incest was not expressly forbidden for the pharaohs and their families.
Notice the club foot: King Tut was accompanied with a number of canes on his afterlife journey. By the end, he also had a compound leg fracture, malaria, Köhler Disease, and possibly also sickle cell anemia, Marfan syndrome, mental retardation, adiposogenital dystrophe (note the feminine hips in the above reconstruction), Kleinfelter syndrome, androgen insensitivity syndrome, aromatase excess syndrome, in conjunction with sagittal craniosynostosis syndrome, Antley-Bixler syndrome, and temporal lobe epilepsy. Oh, and he also had buck teeth and a cleft palate.
In other words, the mighty pharaoh was an unholy mess. There are signs that his burial was conducted in haste, as the paint on the walls of his tomb did not dry properly.
The Guardian Ka for the Afterlife of the Pharaoh Tutankhamen
There has been a major exhibit of treasures from King Tut’s tomb at the California Science Center in downtown Los Angeles. The exhibit started in March and is ending in a few days, so I decided I had better hustle if I didn’t want to miss my second chance at one of the world’s great archeological treasures. (I missed my first opportunity some years back.)
In the end, it was not a pleasant experience. The exhibit was well mounted, but it was mobbed with family groups who were intent on SmartPhone snapshots of everything on exhibit. It was as if instead of people with minds attending the exhibition, the attendees were actually digital devices. No one understood what was being photographed: They were merely putting together a portfolio that could be used to demonstrate to friends that, yes, they had been in the presence. The children were mostly bored and acting up.
In the end, I seriously suggested that, at the entrance to the exhibit, all SmartPhones be collected and smashed to smithereens with mauls. That got a few laughs from the museum staff, but I seriously doubt they acted on my well-intentioned comments.
Although I have been interested in Pre-Columbian archeology for many years, I know very little about Egypt under the Pharaohs. I know I have Howard Carter’s book somewhere in my library about his discovery of King Tut’s tomb, as well as a few other volumes on the general subject, I have been extremely remiss. Resolved: After I return from Central America at the end of the month, I will try to catch up on the subject.
And that is my only New Year’s Resolution for 2019.
Torso of Harchebi (Archibios), Ptolemaic, 170–116 BC, Granite
The most interesting special exhibit at the Getty Center currently is the one entitled “Beyond the Nile: Egypt and the Classical World.” And the one work that caught my interest was a strange sparkling granite torso of Harchebi. I tried to take a photo with my camera, but was prevented by the guard, who pointed out that this was one of the items in the exhibit that bore a small cartouche in the corner of the description forbidding photography. No matter, I hijacked a photo from the Getty website.
The above photo does not do justice to the statue, which actually seems to sparkle. Was there mica in the granite? Perhaps.
Ptolemy VIII and Cleopatra II or III Making Offerings
I loved this exhibit, even though it was excessively crowded. Saturdays at the Getty, particularly during the summer months, can be trying. In any case, the exhibit concentrated on Egyptian art during the Greek and Roman rule of Egypt. The works were gathered from a number of sources, including the Vatican Museum, and were of consistently high quality. I may sneak back to the Getty on a weekday to take a second look.
What draws me to Egyptian art is the simplicity of the figures. When I compare them to the comparable Mayan figures, which also accompanied by hieroglyphs, the Mayan images are usually more ornate, and their hieroglyphs are more difficult to read.
Lintel 16 Yaxchilán, Mexico. In The British Museum