I read five of his novels before deciding that, yes, Michael Connelly is indeed an L. A. writer. It bothers me that so many of the writers I see as L. A. writers are into the mystery genre. That was true of Raymond Chandler, certainly, and also James Ellroy and Tyler Dilts. If I wanted to, and I may in the future, I could add Joseph Wambaugh and a handful of others.
Perhaps there’s something about Los Angeles itself that brings forth so many fictional investigations into the dark heart of the place. When one things of the noir genre, one could just as easily think of New York or Chicago or Miami or—for heaven’s sake—even my own home town, Cleveland, Ohio. But there is something about Los Angeles that is different. I think I put my finger on it when writing about the film version of The Big Sleep in Alain Silver and Elizabeth Ward’s Film Noir: An Encyclopedic Reference to the American Style: “Los Angeles adds a horizontal dimension to film noir. In place of the looming monoliths and endless urban alleyways of the Eastern cityscape, there is a physical and moral sprawl, a chain of suburbs full of legal and illegal activities linked by wide boulevards and expressways.”
The Concrete Blonde, which I have just finished reading, is about one (or possibly two?) murderers who prey on porno stars and prostitutes. Connelly’s homicide detective Harry (short for Heironymus) Bosch shoots one killer at the start of the novel, and winds up in a long civil suit for having killed an “innocent man” according to the widow and her attorney. And, when the killings continue, it looks as if Bosch could be in the wrong. While attempting to defend himself, the homicide detective concludes that there is a second killer, whom the LAPD christens “The Follower,” who is responsible for these other killings. Bosch frantically attempts to pin the tail on the right perpetrator.
Unlike Raymond Chandler’s Philip Marlowe or Tyler Dilts’s Danny Beckett, Harry Bosch comes from a troubled background. In Viet Nam, he blew up Viet Cong tunnels. While he was still young, his mother was murdered. He has had difficulty hanging on to girlfriends, because at a certain point they become frightened of the “black heart” of Los Angeles that he must fight on a regular basis.
To date, I have read the following Connelly titles, all of which I recommend:
- The Black Echo (1992)
- The Black Ice (1993)
- The Concrete Blonde (1994)
- Trunk Music (1997)
- The Lincoln Lawyer (2005)