It was my friend Lynette who opened my eyes to the “Ocean Park” series of abstract paintings by Richard Diebenkorn (1922-1993). Ordinarily, I dislike nonrepresentational art; but in Diebenkorn’s case, I’ll make an exception. He moved in Los Angeles around the same time I did, and I found his choice of colors reminded me of the Santa Monica neighborhood after which this series is named.
Usually, colors alone do not mean much to me. In the case of Mark Rothko, for example, they mean less than nothing. In “Ocean Park #40” above, I could probably find something like that particular pattern somewhere along Ocean Park Boulevard.
The same goes for “Ocean Park #105” above.
I wonder, if the color scheme of an abstract painting suggests something to me, can it really be said to be abstract at all?