As I read the words, I felt the hairs on the back of my neck rising. The book was Norman Mailer’s The Armies of the Night (1968), about a demonstration against the Pentagon against the Viet Nam war. At the time, I was also under the political influence of another Norman, my late friend Norman Witty, who was very active with the Los Angeles draft resistance movement.
This is a good look at the sort of thing that influenced me some half a century ago:
On a day somewhat early in September, the year of the first March on the Pentagon, 1967, the phone rang one morning and Norman Mailer, operating on his own principle of war games and random play, picked it up. That was not characteristic of Mailer. Like most people whose nerves are sufficiently sensitive to keep them well-covered with flesh, he detested the telephone. Taken in excess, it drove some psychic element of static ino the privacies of the brain; so he kept himself amply defended. He had an answer service, a secretary, and occasional members of his family to pick up the receiver for him—he discouraged his own participation on the phone—sometimes he would not even speak to old friends. He had the idea—it was undeniably oversimple—that if you spent too much time on the phone in the evening, you destroyed some kind of creativity for the dawn. (It was taken for granted that nothing respectable would come out of the day if the morning began on the phone, and indeed for periods when he was writing he looked on transactions vis telephone as Arabs look upon pig.)
To this day, I still feel that way about receiving telephone calls. Was it Mailer’s influence? Or is it some ornery impulse that makes it all right for me to make a call, but a damned imposition to receive one?
I was so impressed by Mailer writing about himself in the third person, with his occasional wry asides, that for many years I thought of him as America’s best essayist. Curiously, to this day I have not read any of his fiction, even his famous WW2 novel, The Naked and the Dead. Well, maybe later.