Ombú Tree in Recoleta, Buenos Aires
I first grew curious about the Ombú trees of the Pampas when I read W. H. Hudson’s Tales of the Pampas. Following is the beginning of his short story entitled “The Ombú”:
IN ALL THIS DISTRICT, though you should go twenty leagues to this way and that, you will not find a tree as big as this ombú, standing solitary, where there is no house; therefore it is known to all as “the ombú,” as if but one existed; and the name of all this estate, which is now ownerless and ruined, is El Ombú. From one of the higher branches, if you can climb, you will see the lake of Chascomus, two thirds of a league away, from shore to shore, and the village on its banks. Even smaller things will you see on a clear day; perhaps a red line moving across the water—a flock of flamingos flying in their usual way. A great tree standing alone, with no house near it; only the old brick foundations of a house, so overgrown with grass and weeds that you have to look closely to find them. When I am out with my flock in the summer time, I often come here to sit in the shade. It is near the main road; travellers, droves of cattle, the diligence, and bullock-carts pass in sight. Sometimes, at noon, I find a traveller resting in the shade, and if he is not sleeping we talk and he tells me the news of that great world my eyes have never seen.
They say that sorrow and at last ruin comes upon the house on whose roof the shadow of the ombú tree falls; and on that house which now is not, the shadow of this tree came every summer day when the sun was low. They say, too, that those who sit much in the ombú shade become crazed. Perhaps, sir, the bone of my skull is thicker than in most men, since I have been accustomed to sit here all my life, and though now an old man I have not yet lost my reason. It is true that evil fortune came to the old house in the end; but into every door sorrow must enter—sorrow and death that comes to all men; and every house must fall at last.
Do you hear the mangangá, the carpenter bee, in the foliage over our heads? Look at him, like a ball of shining gold among the green leaves, suspended in one place, humming loudly! Ah, sefior, the years that are gone, the people that have lived and died, speak to me thus audibly when I am sitting here by myself. These are memories; but there are other things that come back to us from the past; I mean ghosts. Sometimes, at midnight, the whole tree, from its great roots to its topmost leaves, is seen from a distance shining like white fire. What is that fire, seen of so many, which does not scorch the leaves? And, sometimes, when a traveller lies down here to sleep the siesta, he hears sounds of footsteps coming and going, and noises of dogs and fowls, and of children shouting and laughing, and voices of people talking; but when he starts up and listens, the sounds grow faint, and seem at last to pass away into the tree with a low murmur as of wind among the leaves.
As a small boy, from the time when I was able, at the age of about six years, to climb on to a pony and ride, I knew this tree. It was then what it is now; five men with their arms stretched to their utmost length could hardly encircle it. And the house stood there, where you see a bed of nettles—a long, low house, built of bricks, when there were few brick houses in this district, with a thatched roof.
The ombú in the photograph stands in front of La Biela, an old café that Jorge Luis Borges and his friend and collaborator Adolfo Bioy Casares used to frequent. It is on Plaza Francia not far from the entrance to Recoleta Cemetery.