Mummified Corpses in Guanajuato’s Museo de las Momias
In this month of Halloween, I thought I would make mention of the most horrific museum I have ever visited, the Museo de las Momias (that is, Mummies) de Guanajuato.
Imagine to yourself a museum consisting of corpses dug up in a Mexican mining town that have been naturally mummified because of the mineral content of the soil. Many were interred during a cholera epidemic which filled the local cemetery to such an extent that the town had to charge a fee for the right to remain buried. According to Wikipedia:
The human bodies appear to have been disinterred between 1870 and 1958. During that time, a local tax was in place requiring a fee to be paid for “perpetual” burial. Some bodies for which the tax was not paid were disinterred, and some—apparently those in the best condition—were stored in a nearby building. The climate of Guanajuato provides an environment which can lead to a type of natural mummification, although scientific studies later revealed that some bodies had been at least partially embalmed. By the 1900s the mummies began attracting tourists. Cemetery workers began charging people a few pesos to enter the building where bones and mummies were stored.
When I visited Guanajuato in the late 1980s, my introduction to the museum was itself grim: A young father was carrying a child’s coffin on his shoulders to be buried, with no one else in the family following him.
Shades of Edgar Allan Poe: The Wikipedia entry continues with this grim fact:
One of the mummies who was buried alive was Ignacia Aguilar. She suffered from a strange sickness that made her heart appear to stop on several occasions. During one of these incidents, her heart appeared to stop for more than a day. Thinking she had died, her relatives decided to bury her. When her body was disinterred, it was noticed that she was facing down, biting her arm, and that there was a lot of blood in her mouth.
The only way I kept the contents of my stomach under control while I was in the museum was the extent to which I busied myself taking pictures. None of these are in this post, as they have yet to be converted to JPEG files from the Kodachrome slides I was then shooting.
Even a writer like Ray Bradbury had trouble seeing the displays of mummies in the museum:
The experience so wounded and terrified me, I could hardly wait to flee Mexico. I had nightmares about dying and having to remain in the halls of the dead with those propped and wired bodies. In order to purge my terror, instantly, I wrote ‘The Next in Line.’ One of the few times that an experience yielded results almost on the spot.