A Baker’s Dozen of Great Japanese Filmmakers

Tatsuya Nakadai in Masaki Kobayashi’s Harakii (1962)

Tatsuya Nakadai in Masaki Kobayashi’s Harakii (1962)

I have written on a number of occasions of my admiration of Japanese films, particularly those of the 1950s and 1960s, when it seems their film industry could do no wrong. Following is a list of my favorite directors followed by my favorites of their films.

If it seems most of the films deal with samurai, it is because I dearly love the genre.

  • Hideo Gosha: Goyokin (1969)
  • Kon Ichikawa: The Burmese Harp (1956), Tokyo Olympiad (1965)
  • Kazuo Ikehiro: Trail of Traps (1965), Castle Menagerie (1969)
  • Hiroshi Inagaki: The Samurai Trilogy (1954-1956)
  • Keisuke Kinoshita: The Ballad of Narayama (1958)
  • Masaki Kobayashi: The Human Condition Trilogy (1959-1961), Harakiri (1962), and Kwaidan (1964)
  • AKIRA KUROSAWA: Just about anything he did, most notably Rashomon (1950), The Seven Samurai (1954), and The Hidden Fortress (1958)
  • Kenji Misumi: Zatoichi Goes to the Fire Festival (1970)
  • KENJI MIZOGUCHI: Just about anything he did, especially Ugetsu Monogatari (1953), Sansho the Bailiff (1954), and Tales of the Taira Clan (1955)
  • Kihachi Okamato: Samurai Assassin (1965), The Sword of Doom (1966)
  • YASUJIRO OZU: Just about anything he did, including Late Spring (1949) and Tokyo Story (1953)
  • Kaneto Shindo: Onibaba (1964)
  • Hiroshi Teshigahara: The Woman in the Dunes (1964)

The directors whose names are in red (Kurosawa, Mizoguchi, and Ozu) are by far the greatest, with Kobayashi not far behind.