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Lion Dancers

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Colorful Lion Dancers from UCLA’s Jade Lotus Lion Dance Troupe

Martine and sat on a ledge in the Maguire Gardens by the west entrance to the Los Angeles Central Library. At 11 am two pairs of lion dancers entered and performed a vigorous dance to open this year’s AAPI Joy: Voices, Then & Now. This is a celebration by various local Asian and Pacific Islander groups of their cultural heritage and the experience of living in Southern California.

After the dancers left, I notices the inscription in Latin above the west entrance: ET QUASI CURSORES VITAI LAMPADA TRADUNT. After doing a little digging, I found the quote comes from Book 2 of the De Rerum Natura (The Nature of Things) by Lucretius and, translated, means “and like runners, they pass on the torch of life.” Very appropriate.

We had attended the AAPI Joy event last year and were happy to find there were even more events scattered across the library premises this year. We attended four of them:

  • The lion dancers
  • Book awards to Filipino-American authors receiving the Carlos Bulosan Book Club awards
  • A Filipino dance troupe called Kayamanan Ng Lahi performing dances from Mindanao
  • The Koto and Nihon Buyo group playing popular Japanese koto music accompanied by dancers

I like the special events put on by the Central Library. Over the last eight years, the library has become a major factor in my life—thanks largely to the opening of the Exposition Line (the E train) on L.A.’s Metro Rail. It has been an unfailing source of great books, an ever-present help to my psyche thanks to the Thursday Mindful Meditation sessions, and a provider of entertainment at their luxurious Mark Taper Auditorium.

My trips to the library downtown are now one of the highlights of my life.

Lucretius on the Nature of Things

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Titus Lucretius Carus (1st Century BC)

It’s not easy to read The Nature of Things by Lucretius. Not only does he attempt to summarize the philosophy of Epicurus and the science knowledge of his day (40-55 BC), but he did in in rhymed couplets, which in this edition are translated as heptameter (“fourteeners”).

Not to worry: If you press on, you will get the gist of what Lucretius writes, and you will encounter some great passages such as this one on the role of the gods in life:

If you possess a firm grasp of these tenets, you will see
That Nature, rid of harsh taskmasters, all at once is free,
And everything she does, does on her own, so that gods play
No part. For by the holy hearts of gods, who while away
Their tranquil immortality in peace!—who can hold sway
Over the measureless universe? Who is there who can keep
Hold of the reins that curb the power of the fathomless deep?
Who can juggle all the heavens? And with celestial flame
Warm worlds to fruitfulness? And be all places at the same
Time for all eternity, to cast a shadow under
Dark banks of clouds, or quake a clear sky with the clap of thunder?
What god would send down lightning to rend his own shrines asunder?
Or withdraw to rage in desert wastes, and there let those bolts fly
That often slay the innocent and pass the guilty by?

It is a far different world than hours. Instead of the Periodical Table of the Elements, Lucretius had earth, wind, air, and fire. You can see him bending in obscure directions to explain such phenomena as magnetism, thunder, earthquakes, and plagues. Yet one could not help but admire the ingenuity of an astute observer who had no notion of Newtonian Physics, let alone Quantum Physics, yet tried his hardest to explain what he saw.