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“To Television”

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Not too many people have anything good to say about television, except maybe poet Robert Pinsky in his poem “To Television.” I have long thought that his poem “Samurai Song” is one of the past poems written since WW2. Three times, he has served has poet laureate of the United States.

To Television

Not a “window on the world”
But as we call you,
A box a tube.

Terrarium of dreams and wonders.
Coffer of shades, ordained
Cotillion of phosphors
Or liquid crystal

Homey miracle, tub
Of acquiescence, vein of defiance.
Your patron in the pantheon would be Hermes

Raster dance,
Quick one, little thief, escort
Of the dying and comfort of the sick,

In a blue glow my father and little sister sat
Snuggled in one chair watching you
Their wife and mother was sick in the head
I scorned you and them as I scorned so much

Now I like you best in a hotel room,
Maybe minutes
Before I have to face an audience: behind
The doors of the armoire, box
Within a box—Tom & Jerry, or also brilliant
And reassuring, Oprah Winfrey.

Thank you, for I watched, I watched
Sid Caesar speaking French and Japanese not
Through knowledge but imagination,
His quickness, and Thank you, I watched live
Jackie Robinson stealing

Home, the image—O strung shell—enduring
Fleeter than light like those words we
Remember in: they too are winged
At the helmet and ankles.

Jade Flower Palace

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Beijing Palace Ruins

Du Fu (aka Tu Fu) was born in AD 712 and died in 770. The following poem is from Kenneth Rexroth’s One Hundred Poems from the Chinese. It is a great favorite of mine.

Jade Flower Palace

The stream swirls. The wind moans in
The pines. Grey rats scurry over
Broken tiles. What prince, long ago,
Built this palace, standing in
Ruins beside the cliffs? There are
Green ghost fires in the black rooms.
The shattered pavements are all
Washed away. Ten thousand organ
Pipes whistle and roar. The storm
Scatters the red autumn leaves.
His dancing girls are yellow dust.
Their painted cheeks have crumbled
Away. His gold chariots
And courtiers are gone. Only
A stone horse is left of his
Glory. I sit on the grass and
Start a poem, but the pathos of
It overcomes me. The future
Slips imperceptibly away.
Who can say what the years will bring?

Stanzas to ————

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Anne, Emily, and Charlotte Brontë

The above painting of the Brontë sisters was done by none other than their brother, Patrick Branwell Brontë. Originally, his own image appeared in the space between Emily’s and Charlotte’s portraits; but for various reasons, his image was painted over. For an interesting discussion of the original image in London’s National Portrait Gallery, click here.

I am including here a poem by Emily paying tribute to an unnamed person of mixed reputation who has died:

Stanzas to ————

Well, some may hate, and some may scorn,
And some may quite forget thy name;
But my sad heart must ever mourn
Thy ruined hopes, thy blighted fame!
‘Twas thus I thought, an hour ago,
Even weeping o’er that wretch’s woe;
One word turned back my gushing tears,
And lit my altered eye with sneers.
Then “Bless the friendly dust,” I said,
“That hides thy unlamented head!
Vain as thou wert, and weak as vain,
The slave of Falsehood, Pride, and Pain–
My heart has nought akin to thine;
Thy soul is powerless over mine.”


But these were thoughts that vanished too;
Unwise, unholy, and untrue:
Do I despise the timid deer,
Because his limbs are fleet with fear?
Or, would I mock the wolf’s death-howl,
Because his form is gaunt and foul?
Or, hear with joy the leveret’s cry,
Because it cannot bravely die?
No! Then above his memory
Let Pity’s heart as tender be;
Say, “Earth, lie lightly on that breast,
And, kind Heaven, grant that spirit rest!”

“You Are Inside Me Now”

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El Jardin Botanico in the Palermo Neighborhood of Buenos Aires

Since I wrote about Buenos Aires being one of my favorite cities yesterday, I thought I would present a sonnet by Jorge Luis Borges, the poet of Buenos Aires, translated by Stephen Kessler from his collection of Borges’s sonnets:

Buenos Aires

Before, I looked for you within your limits
bounded by the sunset and the plain
and i the fenced yards holding an old-time
coolness of jasmine and of cedar shade.
In the memory of Palermo you were there,
in its mythology of a lost past
of cards and daggers and in the golden
bronze weight of the useless door knockers
with their hands and rings. I felt a sense of you
in the Southside patios and in the lengthening
shadows that ever so slowly obscured
their long right angles as the sun went down.
You are inside me now. You are my blurred
fate, all those things death will obliterate.

“The City”

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Alexandria, Egypt in the 19th Century

Every once in a while, when I’m feeling restless, I think of the poet of Alexandria, Egypt: Constantine P.Cavafy (1863-1933). I first learned about him from reading Lawrence Durrell’s The Alexandria Quartet, where he is referred to as “the poet of the city.” Appropriately, here is one of his best poems, which is called, simply:

The City

You said: “I’ll go to another country, go to another shore,
find another city better than this one.
Whatever I try to do is fated to turn out wrong
And my heart lies buried like something dead.
How long can I let my mind moulder in this place?
Wherever I turn, wherever I look,
I see the black ruins of my life, here,
where I’ve spent so many years, wasted them, destroyed them totally.”

You won’t find a new country, won’t find another shore.
This city will always pursue you.
You’ll walk the same streets, grow old
in the same neighborhoods, turn gray in these same houses.
You’ll always end up in this city. Don’t hope for things elsewhere:
there’s no ship for you, there’s no road.
Now that you’ve wasted your life here, in this small corner,
you’ve destroyed it everywhere in the world.

“You Have To Swing”

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Jack Kerouac (1922-1969)

Jack Kerouac is not best known for his poetry, but his can be fun to read, such as this short lament:

Woman

A woman is beautiful
   but
      you have to swing
      and swing and swing
      and swing like
      a handkerchief in the
                                        wind

“A Song on the End of the World”

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Czeslaw Milosz (1911-2004)

Born in Lithuania, but known primarily as a Polish poet, Czeslaw Milosz is perhaps my favorite Eastern European poet of the 20th century. In 1980, he won the Nobel Prize for Literature. Here is one of my favorites among his works, written in Warsaw in 1944:

A Song on the End of the World

On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels’ trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.

Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he’s much too busy,
Repeats while he binds his tomatoes:
There will be no other end of the world,
There will be no other end of the world.

Morning

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The following short poem from William Blake’s MS. book and is typical of his best work early in his career (around 1800-1903).

Morning

To find the Western path
Right thro’ the Gates of Wrath
I urge my way.
Sweet Mercy leads me on.
With soft repentant moan
I see the break of day.

The war of swords & spears
Melted by dewy tears
Exhales on high.
The Sun is freed from fears
And with soft grateful tears
Ascends the sky.

“Rabbit Is Up to Tricks”

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Poet Joy Harjo

Born in 1951, Joy Harjo is a member of the Muscogee (Creek) Native American Nation, who has served three terms as poet laureate of the United States. Her poetry is simply magical, as the following sample shows:

Rabbit Is Up to Tricks

In a world long before this one, there was enough for everyone,
Until somebody got out of line.
We heard it was Rabbit, fooling around with clay and the wind.
Everybody was tired of his tricks and no one would play with him;
He was lonely in this world.
So Rabbit thought to make a person.
And when he blew into the mouth of that crude figure to see
What would happen,
The clay man stood up.
Rabbit showed the clay man how to steal a chicken.
The clay man obeyed.
Then Rabbit showed him how to steal corn.
The clay man obeyed.
Then he showed him how to steal someone else’s wife.
The clay man obeyed.
Rabbit felt important and powerful.
The clay man felt important and powerful.
And once that clay man started he could not stop.
Once he took that chicken he wanted all the chickens.
And once he took that corn he wanted all the corn.
And once he took that wife, he wanted all the wives.
He was insatiable.
Then he had a taste of gold and he wanted all the gold.
Then it was land and anything else he saw.
His wanting only made him want more.
Soon it was countries, and then it was trade.
The wanting infected the earth.
We lost track of the purpose and reason for life.
We began to forget our songs. We forgot our stories.
We could no longer see or hear our ancestors,
Or talk with each other across the kitchen table.
Forests were being mowed down all over the world.
And Rabbit had no place to play.
Rabbit’s trick had backfired.
Rabbit tried to call the clay man back,
But when the clay man wouldn’t listen
Rabbit realized he’d made a clay man with no ears.

“No Surprise”

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A short Emily Dickinson piece that shows that poetess from Amherst has, at times, ice in her veins and steel in her nerves.

Apparently with no surprise
To any happy flower,
The frost beheads it at its play
In accidental power.

The blond assassin passes on,
The sun proceeds unmoved
To measure off another day
For an approving God.