The first time I ever heard of him was when I was a student at Dartmouth. At that time (the mid 1960s) I subscribed to Films and Filming. One issue contained an article entitled “The Crown Prince of Z Films,” referring, of course, to Roger Corman. I was intrigued by what I was hearing of the cheapster director who made so many interesting films for American International Pictures. What I liked most were the Edgar Allan Poe adaptations, usually starring Vincent Price.
Perhaps my favorite was The Masque of the Red Death (1964), about the attempt by a group of dissipated nobles to escape the plague. There were others in the series, including House of Usher (1960), The Pit and the Pendulum (1961), Premature Burial (1962), The Raven (1963), and The Tomb of Ligeia (1964).
When I first met Martine in the late 1980s, I discovered that she was a hard-core Corman addict, liking such films as Attack of the Crab Monsters (1957) and the original The Little Shop of Horrors (1960), which was shot in under a week on a shoestring budget. There are in all about a dozen films he directed that are worth seeing and hold up well over the years. (He also made not a few clinkers, but that’s showbiz!) After he stopped directing around 1970 he continued to produce films and was responsible for some 300+ films over his half century career.
Other than the Poe features, I also enjoyed I, Mobster (1958), A Bucket of Blood (1959), The Intruder (1962) starring William Shatner, Tales of Terror (1962), X: The Man with the X-Ray Eyes (1963) starring Ray Milland, The Wild Angels (1966), The Trip (1967), and Bloody Mama (1970).
Corman introduced us to Jack Nicholson, Peter Fonda, Dennis Hopper, and Bruce Dern, to name just a few. In his films were such stars as Boris Karloff and Peter Lorre.
Perhaps I had a misspent youth, but I sure enjoyed it—and continue to do so….